The Dry Mouths release new psych album, Thödol

Thödol was released on May 13, 2022

The Dry Mouths are a psychedelic instrumental power trio from Almería, Spain. The band specializes in creating sonic landscapes of hypnotic, psychedelic soundwaves, laced with occasional heavy stoner rock sections. Active since 2006, the group has six full length records, with the release of 2022’s Thödol.

Released in May, Thödol is inspired by the Tibetan Book of the Dead. The band elaborates on their interpretations with 10 tracks, ranging from two-seven minutes. According to a statement from the band, “The album is a work of fantasy and extra-sensory experiences, of life and death, of both peaceful and dark visions, of self knowledge and of the fight against the fears that our own minds create. The album is a mental journey in which consciousness separates from the physical body and tries to gain enlightenment and ascend above, through the act of listening.” For the best effect, Thödol should be listened to start to finish, as a single composition, to fully induce the trance.

1. Den-Dro Sum 3:40
2. Hinayana 6:29
3. Kyenay 4:26
4. Milam 2:49
5. Dhyana 3:34
6. Ngen-Dro Sum 5:20
7. Chikhai 3:40
8. Dharmata 5:37
9. Zhi Tros Lha 7:10
10. Chönyid 2:01

Opener Den-Dro Sum sets the mood for the first three quarters of the album with soothing guitar leads that more than take the place of vocals. It’s easy to get lost in the hypnotic drum patterns. Hinayana introduces a fat bass tone, bordering on dub, and listen for some creative percussion throughout and a kettle drum sound at the end. Kyenay features a groovy rhythm section and some cool post-rock guitar leads, while Milam has some creative Middle-Eastern sounding guitar that gave me Babylon Tree vibes. The ethnic sounding drumming and sitar on Dhyana made it a stand out track for me. Another stand out was Ngen-Dro Sum, which changed things up with one of the heaviest riffs on the album. The last four tracks of the album mostly replace the guitar melodies with spacy synth layers. Chikhai features a chill transition with layers of keyboard tones building up throughout. The heavy synth tone on Dharmata gave me some low-key Dimetrodon vibes. Listen on Zhi Tros Lha for a spacier synth sound and groovy, fx-heavy bass tone, while Chönyid closes out the album in a satisfying, low-key way.

The record, a follow-up to 2019’s Lo-Fi Sounds for Hi-Fi People, was recorded at Desert City Studio between October, 2020 and June, 2021. The artwork was disigned and created by Iván Carreño. It can be downloaded on Bandcamp for under $7. The vinyl record, co-released by Spinda Records, Aneurisma Records, Violence In The Veins, Discos Macarras, Zona Rock Productions, Bandera Records, Quebranta Records and Odio Sonoro, can be ordered for $20. Check out the band’s merch page for current and back releases and find the band on social media.

Blue Heron set to release debut album, Ephemeral

Ephemeral will be released on May 27th

Blue Heron is a four-piece desert rock band from Albuquerque, NM. Their debut album, Ephemeral, will be released in late May. The group deals out a psychedelic mix of grungy heavy metal, with strong desert rock vibes and rhythms.

Ephemeral, featuring beautiful artwork by Mirko Gastow, is set for a May 27th release. The eight track album clocks in at a very listenable 47 minutes. It’s heavy from start to finish, with the exception of a few quiet interlude tracks that give short breathers between headbanging and breakdowns.

1. Futurola 5:22
2. Sayonara 13:20
3. Push the Sky 4:39
4. Infiniton Field 2:20
5. The Buck 6:19
6. Black Blood of the Earth 7:14
7. Where One Went Together 2:02
8. Salvage 5:53

Futurola music video by Dedisuseno

There’s plenty of driving, desert rock guitar, like on opener, Futurola, and even some High on Fire flavored riffage, like on Black Blood of the Earth, which also features a heavy, Sabbath-worship ending. Keep your ear out for plenty of spacy guitar solos, especially on the epic, 13 minute track, Sayonara, and even some reflective acoustic work on interlude track, Infiniton Field. Fans of Kal-El and Dozer will aprove.

The bass is impressive, with a full, in your face sound. It creates a solid, rhythmic counterpart for the drums, often taking the lead when the guitars are spacing out. Fans of Kyuss and Clutch will appreciate the complexity and driving rhythm. Check out Sayonara and The Buck for excellent examples of the growly bass tones and competent leads.

The drums are solid and driving throughout, featuring bluesy patterns and plenty of heavy breakdowns. There’s plenty of tasty tom work and cymbal accents, notable on Push the Sky, and a crisp sound shines through on closer, Salvage. Black Blood of the Earth has a definite stoner metal drumming sound, which fans of High on Fire and The Sword will appreciate, and don’t miss the shuffle pattern for the heavy blues ending.

The vocals are unique and diverse. Most of the album features melodic vocals with a throaty, aggressive delivery. Several of the tracks, including Sayonara and Push the Sky, have some edgy hardcore vocals at the end. Fans of John Garcia, Neil Fallon, and Matt Pike won’t be disappointed. Lyrical content ranges from mortality and the fleeting nature of existence to mythic fables about deposed gods and failed civilizations.

The album will be released by Kosmik Artifactz and Seeing Red Records. You can find the band on social media. Pre-order the digital album on Bandcamp for $6 or vinyl for $25, with supplies shipping on May 30th. Check out the merch page for bundle deals on their album and Black Blood of the Earth/A Sunken Place EP from 2021. Also, check out the music videos for Futurola and Push the Sky. Definitely keep an ear out for more from Blue Heron.

The Singularity: New album by Wo Fat

The Singularity was released on May 6, 2022

Wo Fat’s brand of heavy blues is guaranteed to blow your mind with their progressive style and spacy jam sessions. They set themselves apart from typical bands of the genre with their unique blend of groovy Texas stoner rock. Now, the power trio from Dallas is back with The Singularity, their seventh studio album, released through Ripple Music.

The band’s first full length studio album in five years, The Singularity is a worthy follow-up to 2016’s Midnight Cometh. It features gnarly cover art by Eli Quinn and is composed of seven tracks, clocking in at a beefy 75 minutes. Like the structure of most of their past work, the tracks are more like two songs in one. They usually open with a heavy, blues-based stoner rock song, before proceeding to melt faces with dynamic, progressive jams for the last half, with tons of heavy changeups, melodic sci-fi lyrics, fluid drum work, jazzy infusions, stoner rock turnarounds, and soaring guitar solos.

1. Orphans of the Singe 13:54
2. The Snows of Banquo IV 8:25
3. Overworlder 11:54
4. The Unraveling 7:42
5. The Witching Chamber 9:25
6. The Singularity 7:46
7. The Oracle 16:32

Personnel (Left to Right): Zack Busby (Bass), Michael Walter (Drums), Kent Stump (Guitar/Vox)

From start to finish, the album is an absolute head banger. Kent Stump provides muscular guitar riffs and, like Tim Sult of Clutch, knows his way around a wah-pedal. His heavy blues and progressive style at times remind me of Droids Attack, or possibly even early Galactic Cowboys. Stump’s vocals are aggressive and melodic, with occasional harmonies. On bass, Zack Busby keeps things solid with a beefy bass tone that is perfectly locked on to the drum work, while creating an incredibly perceptive compliment to the guitar riffs, and like Geezer Butler, isn’t afraid to explore the fretboard. Michael Walter provides a huge, driving drum sound with a fluid complexity that dances between time signatures and explores every aspect of the riff.

You can find all of Wo Fat’s releases, including splits and live albums, on Bandcamp. Their entire discography is available for digital download for under $54. The Singularity is available on CD and digital download for $10. The album is also available on color-splat or black double vinyl, though copies are sold out as of this writing. Check out their merch page for tons of cool t-shirts as well as copies of back albums.

Dhidalah takes us back to space with new album, Sensoria 認識

Sensoria was released on April 22, 2022

Dhidalah is a space rock power trio from Tokyo, Japan. Well schooled in the concept of sonic space travel, their jam oriented music has been taking us to the outer realms of psychedelic rock since 2013. The band released several independent recordings and EPs before signing with Guruguru Brain. Since then, they’ve released full lengths No Water in 2017 and Threshold in 2019. Their latest release, Sensoria, was released online in April, with vinyl pre-orders shipping this fall.

Sensoria is a four track album, clocking in at a modest 38 minutes. To create new material, the band members explore ideas during weekly jam sessions, which they then contemplate upon and hone throughout the week for the next session. Two tracks from the album, Soma and Black Shrine, were created through these sessions, while the other two tracks, Invader Summer and DEAD, are credited to guitarist Ikuma Kawabe, of Church of Misery fame. The tracks were recorded and mastered by Ryuhi Inari of Void)))Lab and mixed by Hideki Urawa. The album features cover artwork by D.Norsen.

1. Soma 9:07
2. Invader Summer 6:00
3. DEAD 3:03
4. Black Shrine 20:01

Dhidalah is Ikuma Kawabe (guitars), Kazuhira Gotoh (bass, vocals, noise FX), and Masahito Goda (drums)

The short full length packs a hard psychedelic punch that sounds both raw and organic, but with the seasoned tightness of a touring jam band. You’ll want to wear headphones to absorb the full mind-warping impact of the sonic trip. Listen for phaser and wah-pedal infused layers of guitars throughout, notable on Soma and Invader Summer. The fast pace of many of their tracks reminds me of King Gizzard’s jammiest stuff. A tight and tonal drum sound lays down a solid base groove throughout the album, and listen for some creative hand percussion interplay with the acoustic guitar on the slower and quieter, DEAD. Black Shrine, the incredible 20 minute closer, inspired by the Yokai of Japanese folklore (I fully support following this link and tripping out on these entities while you listen), features a meaty bass tone, possibly reminiscent of OM’s phased out drum sound. Melodic vocals, sparse and drenched in otherworldly reverb and delay, as well as sci-fi noise FX, add to the spacy atmosphere of the album.

You can find the digital album for under $8 on Bandcamp, where you can also preorder the vinyl for under $30. Keep in mind, records will not ship until August outside of the US, and until September for the US. Also, check out the band’s social media where you can find t-shirts, tote bags, and other merch.

Tour Dates

May 19 Sebright Arms – London, UK

May 20 The Crofters Rights – Bristol, UK

May 22 Hare and Hounds – Birmingham, UK

May 23 The Hope and Ruin – Brighton, UK

May 24 Supersonic – Paris, France

May 25 Trefpunt Concertzaal – Ghent, Belgium

May 26 Arena Berlin – Berlin, Germany

May 26 Ilses Erika – Leipzig, Germany

Somali Yacht Club release new album, The Space

The Space was released on April 22, 2022

Somali Yacht Club is a psychedelic stoner rock trio from Lviv, Ukraine. The group formed in 2010 and have four full lengths under their belt with the release of 2022’s The Space. The group is known for their psychedelic music, infused with elements of shoe gaze and early grunge.

The Space, is their debut album on Season of Mist Records. It contains six tracks, with 45 minutes of some of the most dynamic and atmospheric stoner rock available. It has a huge drum sound, melodic vocals, and walls of guitar tones that undulate and build with plenty of heavy changeups. The beautiful cover art was provided by renowned Ukrainian artist, Dasha Pliska, whose art has been featured in Dash and Flaunt.

Silver and Gold, two of the shortest tracks on the album, really bring the shoe gaze element, with their atmospheric psychedelia and melodramatic vocals, even offering a little Deftones flavor at times. Look for a full, heavy sound on Pulsar and Alice in Chains style harmonies on Echo of Direction. Obscurum’s progressive intro and and creative chord progressions recall the best of Weedpecker and perhaps even early King’s X. Album closer Momentum ends the album beautifully, and in a very heavy way.

1. Silver 5:16

2. Pulsar 9:07

3. Obscurum 5:06

4. Echo of Direction 9:45

5. Gold 3:32

6. Momentum 12:30

You can find the The Space on Bandcamp. Their album is currently available on digital release, CD, and vinyl. Also, check out their merch page where you can find past releases and t-shirts. Amidst the ongoing military conflict in Ukraine, the band has pledged to donate all profits made in 2022 to various charities to help their home country.

Tour Dates

May 27 Indian Ocean Hotel – Scarborough, Western Australia

Jun 10 Evelyn Hotel – Fitzroy, Victoria, Australia

Ancient Nug: New single by Telekinetic Yeti

Primordial is set for release on July 8, 2022

Telekinetic Yeti is a two-piece stoner rock band from Dubuque, Iowa. Formed in 2015, the band was started by singer and guitarist, Alex Baumann. Abominable, the band’s first album, was released in March 2017. The heavy album is brilliantly arranged and packs a major punch that rewards repeat listens. After that release, the band began touring heavily, sharing stages with giants such as Weedeater, Truckfighters, 1000 Mods, Red Fang, and Clutch.

After a change of drummers and with five years since their first release, the duo will finally release their second album, Primordial, an album they’ve been sitting on since 2020. It’s their first album signed with Tee Pee Records. The new single, Ancient Nug, picks up where Abominable left off. It has chunky guitar riffs, complex drumbeats, melodic, guttural vocals, plenty of changeups, and don’t miss that heavy down-tempo outro.

It was released as a music video, featuring the duo rocking out onstage in an old church. Guitarist Baumann explained, “This song is about searching for meaning and purpose amidst the ubiquitous suffering we endure. It’s also about something long lost being rediscovered, and the resonating ripples of butterfly effects from the ancient past that affect all life today. We really liked filming in this location because it had such a meditative and surreal quality to it. We felt that it fit the themes of the song well.”

The album can be pre-ordered on black or purple vinyl for $25 or on CD for $13. Check out the music video and get hyped for the new album! Also, look for Telekinetic Yeti at a handful of shows in May, including Desertfest NYC.

MAY 12 Westside Bowl – Youngstown, OH

MAY 14 Middle East – Boston, MA

MAY 15 Desertfest NYC – New York, NY

A Frog in the Bog: The heavy split album by Froglord and Bog Wizard

A Frog in the Bog was released on April 1, 2022

A Frog in the Bog is the concept record collaboratively produced by the UK’s Froglord and Michigan’s Bog Wizard. The two stoner doom bands, known for their D&D style narratives, came together from across the Atlantic expanse to document the meeting of the reclusive Bog Wizard and the god-like Frog Lord, resulting in magical and smoky adventures in the depths of the bog.

Bog Wizard starts the album with two tracks, Reptilian Death Squad and Frog Lord, whose doomy riffs and tortured, operatic vocals document the Frog Lord and and his followers’ invasion of the marsh, and of a magical interaction with the Wizard of the Bog, mostly from the Wizard’s perspective.

BOW DOWN TO THE POWER OF THE FROG LORD

Froglord provides the next two tracks, The Bog, and The Wizard. They tell the tale from the perspective of the Frog Lord, attempting to convert Bog Wizard to his cult, and then preparing to do battle. Don’t miss the gnarly blast beats on The Wizard, and keep an ear out for movie sound-bytes, including one from Labyrinth, during the two tracks.

The final track, The Bog Wizard, featuring both bands, tells the epic and surprising tale of the final encounter. Who will win the equally matched battle or will the slimy bog take them both? Listen to the album and experience the full smoky climax to find out what happens.

There’s a lot to like from these two bands and this album. First, the contributions by both bands as well as their song collaborations gives the album a fun mixtape kind of feel, yet with the benefit of having a cohesive narrative, and the retro, 16-bit album art by Benjamin Blåholtz is a great throwback. The digital album can be found on Bandcamp where it is also available on vinyl, CD, and cassette while supplies last. Also check out the merch page for all kinds of cool gear, including album art prints, stickers and patches.

A Flourishing Fall in a Grain of Sand, the heavy new album by Humanotone

A Flourishing Fall in a Grain of Sand was released on March 11

Humanotone is a one man musical project, produced and performed by multi-instrumentalist, Jorge Cist, who is based in Coquimbo, Chile. His music is a progressive dose of muscular stoner rock and shares the same psychedelic vein as heavy hitters such as Elder and Swan Valley Heights. Jorge just released Humanatone’s second album, A Flourishing Fall in a Grain of Sand, an impressive follow-up to 2017s self-titled debut.

Flourishing Fall consists of six richly layered, flowing compositions, five of which range from eight to over 12 minutes in length. Initially written between 2017 and 2019, the songs were structured and recorded between May and October of 2021. According to Jorge, “All the songs were inspired by the sea and are a way of thanking the healing power it had on me during rough times.”

While listening to this album on repeat on a recent bus trip through the Rocky Mountains, I realized why this album stands out: It seriously flows! Similar to the ocean or the mountain ranges passing before my eyes, the album has a natural quality, indefinable by words alone. While many similar progressive rock albums can tend to get bogged down in their own complexity, Flourishing Fall flows seamlessly from riff to riff like crashing waves or thunder on mountain peaks.

In addition to performing vocals and instrumentation, Jorge also recorded and mixed the album in his own Massive Void Recordings studio and created the artwork using pointillism technique on 140g Canson paper. Make sure to also check out the artwork produced for the album’s first single, Light Antilogies. A Flourishing Fall in a Grain of Sand is available on Bandcamp, where the entire discography can be downloaded for under five dollars. While there, you can also link to videos and social media.

Pike vs The Automaton

Pike vs The Automaton was released on Feb 18,2022

Matt Pike’s first solo album came to us in a time when we needed it the most. In the dead of a winter filled with wars and rumors of wars, pandemic, natural disasters, as well as between releases and tours by primary groups Sleep and High on Fire, the riff-master took matters into his own hands and produced Pike vs The Automaton.

It’s a heavy album that explores retro sounding heavy metal, thrash, punk, and even some twangy blues. Falling somewhere between the riffy thrash of High on Fire and the stoner-doom of Sleep, Pike gave in fully to his musical instincts, riffing his way through an assemblage of songs guaranteed to induce head-banging and disgust with authority.

Recorded in his garage during the pandemic, Pike’s describes his work this way: “I made a psychedelic rock record that Sleep and High on Fire fans would like. And maybe if you’re not a Sleep or High on Fire fan, you might like it too. I definitely think it’s interesting; it has D-Beat punk, two-step. It’s got everything and it still works together, it doesn’t sound odd. It’s just an off-the-wall psychedelic rock record.” 

At the core of the ensemble group is Pike on guitars and vocals, backed by friend and drummer Jon Reid. Featured among many guests on the album are some familiar names. Brent Hinds of Mastodon appears in a surprisingly chill cameo on the twangy “Land.” Pike’s wife provides caustic vocals on the hard-core “Acid Test Zone.” Jeff Matz, bassist of High on Fire, plays the Turkish electric saz on the album’s epic 11 minute closer, “Leaving the Wars of Woe.”

The album clocks in at 63 minutes with 10 tracks, and features beautifully rendered, symbolic cover art. It’s available on vinyl and CD, as well as digital release.

Goatriders release spacey new album, The Magician’s Keep

The Magician’s Keep was released on January 27th

Goatriders is a four piece band from Linköping, Sweden. The band serves up a riffy mix of desert rock with plenty of hypnotic and spacey interludes. The band released their first EP 15/12, in December, 2018 and just followed it up with The Magician’s Keep, on January 27, 2020.

The Magician’s Keep was released by Ozium Records. Mixed and mastered by friend of the band, Petter Kindström, the album clocks in at 36 minutes and is made up of five tracks. With each track between five and 10 minutes, the songs are on the longer side and each is an immersive experience of diverse and spacey sound textures. The album is characterized by walls of fuzz, psychedelic guitar tones, crisp and clear drums, a growly bass tone that isn’t afraid to explore the fret board, and lots and lots of groove. If you enjoy bands like Naxatras, you will love what Goatriders has to serve up.

  1. Golem 7:08
  2. Amitte Diem 7:43
  3. Hound of the Gods 5:24
  4. Pitch Black Blues 6:47
  5. Songs from Mars 10:41

Check out the band on Bandcamp where you can support the band by buying the digital album. The album will be available on vinyl and CD later this year. You can also check out the band on Instagram. Thank you for reading The Sonic Sofa. You can find The Sonic Sofa on StitcherSoundcloudthesonicsofa.blog, and Twitter. Please consider donating to The Sonic Sofa on PayPal or Patreon. Go in peace and rock on, Sofanauts.