Album Review: Mystic Vulture by Cleõphüzz

Mystic Vulture was released Feb 7

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This album review comes with bittersweet news: Cleõphüzz, the five piece desert rock band from Ville Marie, Quebec, unique for their addition of cello in the mix, have announced that they are parting ways, citing problems related to the pandemic. Lucky for us, they were able to rally their forces one last time to release Mystic Vulture, their epic final album.

Mystic Vulture is the group’s second full length, a followup to 2018’s Wizard of Ph​ü​zz. The album has everything you could wish for from a stoner rock album, from spacious sounding drums and gnarly riffs, to the huge, spaced-out sound, down to the psychedelic desert scape cover artwork by Tessa Najjar. Going back to that “huge, spaced-out sound,” it’s refreshing to note that this album really ‘breathes,’ with the band taking time to establish psychedelic auras, explore riffs, and really jam. The eight song album clocks in at 47 minutes. It was recorded and mixed by Francois Lachapelle during the pandemic and released in February.

1. THE END 2:32
2. DESERT RIDER 5:54
3. SORTILÈGE 4:15
4. DESPERADO 9:02
5. SARCOPHAGE 3:27
6. WHEN THE SIREN BLOWS 6:49
7. MYSTIC VULTURE 6:32
8. SUNDOWN IN THE AFTERLIFE 8:01

The album is mostly composed of instrumental tracks, which are given cinematic quality by the cello, notably on opener, The End, and closer Sundown in the Afterlife, which features a cool symphonic ending with some beautifully harmonic resolution. The grungy vocals come in to play on the swaggery riffer, Desert Rider. Listen for some Alice in Chains-esque harmonies on Desperado, which also features some heavy guitar progressions and a cool grindy organ.

A great album from psychedelic start to finish, Mystic Vulture can be found on Bandcamp. Digital download is available for $5. There’s no word of a physical release given the band’s current status. The band still maintains an active social media presence. Check out this interview with guitarist, Alex Savourin, for more insight into the band’s creative process, influences, as well as their disbanding. Hopefully they will reunite someday and give us a chance to hear these tracks performed live.

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Dead Meadow release Force Form Free

Force Form Free was released on December 9th

Dead Meadow is a psychedelic rock band. Formed in 1998 in Washington DC, the band is now based in LA. The group has spent the better part of 25 years immersing listeners in laid back, fuzzy audio waves. Their music is soaked in a deep groove you can almost taste, with wah drenched guitar leads that will astral project your ears into a different reality. Dead Meadow will appeal to fans of bands like Sleepy Sun, Black Mountain, and The Re-Stoned.

Force Form Free, the band’s latest album, was released through independent label, Blues Funeral Recordings. The album was produced for the label’s Post Wax vinyl subscription series, with the band “working up a disparate yet cohesive group of songs that placed new works alongside the culmination of ideas they’d been tinkering with since the band’s genesis.”

1. The Left Hand Path 6:51
2. The Lure of the Next Peak 5:51
3. Valmont’s Pad 4:27
4. To Let the Time Go By 3:20
5. Force Form Free 6:28
6. Binah 8:03

The album is mostly instrumental, immersing listeners in six richly layered psychedelic jams. We’re treated to dreamy reflections like chill tracks, The Lure of the Next Peak and Force Form Free, with it’s drony Middle Eastern sound. There’s plenty of groovy riffs and wah pedal steeped leads like on the fuzzy Valmont’s Pad. Jason Simon gives a taste of his distinct vocals on To Let the Time Go By and Binah, the only two tracks with lyrics.

Force Form Free is the perfect album for sinking into the sofa and letting your ears drift away to the dreamy rhythms. Check out the psychedelic visualizers for the tracks on Youtube. You can find the digital album on Bandcamp. Stream it or download the album for $7. Dyed vinyl is available for $26 and CD’s for $11. Check out the band’s website and social media.

Tour dates

JAN 14 The Lodge Room – Highland Park, CA

Innate Passage: The new album by Elder

Innate Passage was released on November 25, 2022

Elder is a four-piece heavy psych band based in Berlin, Germany. Originally from Boston, Mass, the band was formed by founding guitarist and vocalist, Nick DiSalvo and bassist Jack Donovan. The current lineup includes Mike Risberg on guitars and keys and Georg Edert on drums. Since their formation in 2006, the band has been continuously evolving, adding new elements to their sound. What started as primarily a Sleep-worshipping stoner rock band has significantly grown and developed over the last decade and a half. Through the course of their career, collaborating with other bands, touring the world, and continually experimenting and adding musical elements, the band has crafted a progressive, psychedelic, genre-bending sound that is always recognizable as Elder.

The band released Innate Passage on November 25. It follows 2021’s Eldovar, a collaboration with Kadavar, and their 2020 full length, Omens. Innate Passage clocks in at 54 minutes with 5 tracks. The album was recorded and mixed by Linda Dag at Clouds Hill Studio in Hamburg and mastered by Carl Saff. The intriguing artwork was produced by Adrian Dexter, a legend in the stoner rock art community who has produced all of Elder’s album art.

Calling the album anything other than ambitiously grandiose and epic would be a huge understatement. The songs are long, with each song hovering around the 10 minute mark or more, and each track is like a tapestry or a painting, continually revealing layer after psychedelic layer as it unfolds. The songs tend to be elaborately constructed and unpredictable in their arrangement, but the flow and catchiness of the tracks will draw you in. It may sound oxy-moronic, but this is exactly the type of heavy music you could equally head bang or fall asleep to, both energetic and relaxing.

1. Catastasis 10:50
2. Endless Return 9:54
3. Coalescence 9:47
4. Merged In Dreams – Ne Plus Ultra 14:43
5. The Purpose 8:37

Elder’s trademark harmonies are ever present in Disalvo’s endlessly creative chord progressions and soaring guitar leads. Listen to the opener, Catastasis, for some awesome chord progressions and some incredibly fretboard-sweeping patterns on Endless Return. His vocal style is strong, with well-delivered melodies and occasional harmonies like on the opening track. The lyrics on Innate Passage are abstract, with poetic, philosophical observations and societal commentary, in the tradition of past albums.

Risberg’s guitars and diverse keys on the album are huge, adding beautifully to the sonic richness and dreamy nature of the album’s well produced sound. Check out Endless Return and Merged in Dreams for some awesome dual guitar leads. The keys tones run the gamut, with orchestrated sounds on Catastasis, spacy sounds on Endless Return, synths on Coalescence, with plenty of psychedelic tones in between. Listen closely to The Purpose to hear Risberg’s spacy keyboard interplay with Donovan’s absolutely heavy bass line.

Underneath it all, Donavan and Edert hold things in the pocket with a tight and driving rhythm section. Donavan’s bass tone is thick and beefy on Coalescence, which also features some tricky time signature work reminiscent of Rush in their heyday. Edert drums with the utmost complexity and flow but without being flashy or standing out. The album merits relistens just to try and figure out some of his timing on tracks like Coalescence. There’s plenty to explore in the band’s tight and complex song structures, especially on the nearly 15 minute Merged in Dreams, with trippy keys and guitars that build to possibly the heaviest ending on the album.

Innate Passage is available for streaming on Bandcamp, with digital album download available for $7. Physical copies of the double LP are available through Armageddon Shop in the U.S. and Stickman Records in Europe. Check out the band’s merch page and follow them on social media.