Evidence of Immortality: New doom metal album from Conan

Evidence of Immortality was released on August 19th

Conan, the three piece doom metal band from Liverpool, are back with their fifth full length, Evidence of Immortality. Formed in 2006, the group has delivered a consistently heavy barrage of “caveman battle doom.” Down-tuned to the extreme and amplified as loudly as possible, the riffage, thunderous rhythm section, and tortured sounding vocals conjure images of blood-soaked battlefields and cosmic monsters; in other words, great escapist stoner rock. The lyrics are also mixed with just the right amount of nihilistic philosophy in the vein of Robert E Howard and Lovecraft. Conan is to doom what High on Fire is to thrash-stoner, but don’t get hung too up on genres: The important thing is that with Evidence of Immortality, Conan has once again delivered one of the heaviest records available today.

1. A Cleaved Head No Longer Plots 10:23
2. Levitation Hoax 5:29
3. Ritual Of Anonymity 3:36
4. Equilibrium Of Mankind 8:23
5. Righteous Alliance 8:34
6. Grief Sequence 14:29

Evidence of Immortality was released on August 19, 2022. It clocks in at 51 minutes with six songs. Personnel include founding guitarist/vocalist, Jon Davis, bassist Chris Fielding, who first appeared on 2014’s Blood Eagle, and drummer Johnny King, who joined before the recording of 2018’s Existential Void Guardian. Long time band artist Tony Roberts once again completely captures the feel of the band with some gnarly battlefield album art. The album was released through Napalm Records.

Conan – Levitation Hoax

Album opener, A Cleaved Head No Longer Plots, clocks in at over 10 minutes (typical Conan song length) with slow, monolithic riffs and a huge drum sound. Pay attention for some cool phaser effects and a snarly guitar solo. Levitation Hoax was the first single released for the new album, accompanied by a hilariously brutal music video. Davis and Fielding’s, “I am the unborn son, of the unborn son,” chant is pretty catchy, and don’t miss the head banger last half. Ritual of Anonymity, the shortest song on the album, features some groovy rhythm sections and some positively thrashy sections.

Jon Davis of Conan, during a 2018 concert

Equilibrium of Mankind features some huge buildups, heavy-blues sounding riffs when it gets into it, and tortured, existential battle vocals. It’s also got a great interlude with a seriously groovy drum beat and huge sounding cymbals. The double kick at the end is an awesome touch. Righteous Alliance was the album’s second single. It’s embedded below, so give it a listen. The sound is classic Conan, with dark riffs and a chunky bass tone. Listen for the catchy, “Cometh the righteous alliance,” lyrics and don’t miss the slow, doom jam at the end. Grief Sequence, the longest track, is an instrumental slow burn with the addition of some funeral-doom, haunted house style organ synths provided by former bandmember Dave Perry.

You can find Evidence of Immortality as Conan’s back catalogue on Bandcamp. The digital download is available for $10. A double LP of the record is available for $23, along with tons of other cool merch and copies of back albums, through Napalm Records. The band is active on social media.

Tour Dates

Sep 22 L’Homme Sauvage Festival, Auzas – Toulouse, France

Sons of Arrakis release epic debut album

Volume 1 was released on July 15th

Sons of Arrakis are a four-piece stoner rock band from Montréal, Quebec. The group formed in 2019 with a strong affinity for the writings of Frank Herbert. Their name and much of their work reference Dune, the sci-fi series by Herbert. The band refers to their work as “Melange rock and cinematic sci-fi rock.” Melange refers to the hallucinogenic spice drug from Dune. For stoner rock fans who also enjoy Herbert’s work, you’re in for a real sci-fi treat, but for the casual stoner rock fan, don’t worry: You don’t have to be familiar with the book series to enjoy the music, although Sons of Arrakis may make you want to check out the books or movies.

Musically, the band delivers massive doses of seriously groovy riff rock and fantasy lyrics in the vein of bands like The Sword and Telekinetic Yeti. Volume 1, the band’s debut record, was released in July. It’s both epic and brisk, clocking in at a cool 30 minutes with eight tracks. In the past, my friend Nashville Eric and I judged good albums, such as Led Zeppelin III, on their ability to leave you wanting more. Sons’ Volume 1 will leave you wanting more and looking forward to Volume 2.

1. Shai-Hulud 1:33
2. The Black Mirror 3:43
3. Complete Obliteration 4:01
4. Temple of the Desert 4:26
5. Omniscient Messiah 4:12
6. Lonesome Preacher 5:13
7. Abomination 4:37
8. Shai-Hulud (Sequel) 2:19

Frédéric Couture’s vocals are dynamic and high flying, delivered in his own unique style, with catchy melodies. The Black Mirror gives a good example of Couture’s high register. He also executes some nice harmonies, even evoking some Alice in Chains vibes on Complete Obliteration. Lyrically, the album discusses some hefty themes such as philosophy, warfare, religion, and systematic subjugation, all with that subtle Frank Herbert influence. Many of the tracks, such as Shai Hulud, Abomination, Omniscient Messiah, and Lonesome Preacher also reference characters in the Duniverse. Lyrics here.

Alexandre Goulet’s sci-fi graphic design adds authenticity and feel to the band’s mystique

Francis Duchesne on lead guitars along with Couture on rhythm guitars establish an absolutely fuzzy juggernaut of chuggy, progressive riffs with strong heavy blues vibes. They set the heavy bluesy mood on instrumental opener, Shai Hulud, which is also continued on the album closer, Shai Hulud Sequel. There are also awesome dual guitar leads throughout. Listen to Temple of the Desert, Abomination, and Complete Obliteration for some prime dual guitar leads. Complete Obliteration and Omniscient Messiah also feature blazing guitar solos.

Mathieu Racine’s drum sound is groovy and in the pocket. From the very start, the drummer sets the standard for the album with some heavy blues style. Check out Temple of the Desert for an awesome bluesy shuffle pattern. He’s got chops too. Listen to the start and finish of Abomination for some technical and fast drumming, in the vein of Trivett Wingo of The Sword fame. On bass, Vick Trigger is the perfect rhythmic counterpart, delivering track after track of deep grooves, perfectly in sync with Racine’s drum patterns. Get lost in the deep groove of tracks like Omniscient Messiah and Abomination, where the powerhouse pair deliver tasty change-ups and progressive jams.

Official music video for Omniscient Messiah, directed by Arturo Baston. Monster modeled and animated by Albert Calle Joamat

Volume 1 is available for digital download on Bandcamp for Name Your Price! Vinyl is available for $30 and CDs for just over $10. The band’s graphic artist, Alexandre Goulet, did an awesome job of creating Dune-influenced art for the band, and the band has a poster and t-shirts featuring many of the spacy designs on their merch page. An interview and live acoustic recording of the band was recently featured on a podcast by The Stoner Rock Army‘s The General, Eric Varasifsky. Also, check out Distorted Sound Magazine’s article, which goes in depth (SPOILERS) regarding the band’s direct Dune references.

Heavy debut by Realm Drifter

Realm Drifter’s self-titled album was released on July 11, 2022

This week, The Sonic Sofa is featuring the heavy new album by Realm Drifter. The four-piece stoner-doom band from Fort Worth, TX have amped up their game with their debut, self-titled album. It features a slow and heavy metal sound, with plenty of groovy riffs, a thick, gnarly bass tone, edgy melodic vocals, and a bluesy heavy drum sound. The five song album clocks in at a beefy 44 minutes, and features artwork by, Cameron Hinojosa, a freelance graphic designer who primarily focuses on the independent music community. I hope the wizard figure on the album cover is toasting up some magical s’mores, because that sounds delicious. But seriously, the stripped down color palette and the fantasy art really compliment the dark mood and feel of the record.

1. Fire For Wolves 5:33
2. With No Name 9:58
3. Feeding Shadows 8:37
4. Sound of an Owl 12:10
5. Realm Drifter 7:51

The album opens with Fire for Wolves. Featuring a beefy bass tone and bluesy drum pattern, we’re also treated to melodic vocals with a touch of Neil Fallon’s edge, some high-reaching guitar solos, and a slow and heavy closing riff that brings echoes of Sabbath. With No Name clocks in at nearly 10 minutes and starts off with a nice psych intro that blossoms into a huge, gnarly riff. Listen for some tasty wah-pedal guitar leads and don’t miss that heavy stoner rock pattern that closes out the last quarter of the song. Feeding Shadows opens with an awesome bass line and features plenty of groovy riffs and a headbanger chorus. This track also gave me some Elder vibes from their early, heavier work. Sound of an Owl is the longest track on the album, clocking in at over 12 minutes, and spotlights plenty of slow and dark riffage, as does the dynamically ranged closer, Realm Drifter, which completes the classic trifecta of Band Name, Album Name, Song Name.

Independently released before the band signed with Gravitoyd Heavy Music, the album is making waves in the stoner rock community, including a review on Doomed Nation and a spot on the podcast, Hour of the Riff. Look for the album on Bandcamp where you can stream and download the digital album for $7. The band is also active on social media.

Primordial: Heavy new stoner rock album by Telekinetic Yeti

Primordial was released on July 8, 2022

Telekinetic Yeti is a stoner rock duo hailing from Dubuque, Iowa. Formed in 2015 on the basis of progressive guitar riffs, exploratory drum beats, and purely stoner rock lyrics, the band released their first album, Abominable, in 2017. Now, after five years and a change of drummers, Telekinetic Yeti is back with their much awaited second full-length, Primordial.

In the great tradition of stoner doom bands like Sleep and The Sword, Telekinetic Yeti brings progressive doom metal action from start to finish. Founding guitarist and vocalist, Alex Baumann, masterfully layers guitar tracks, developing a rich, full, and heavy sound, replete with chugging riffs and progressive patterns oozing with bluesy groove. Armed with an arsenal of guitar effects and pedals, Baumann’s interaction with the drums is tight and dynamic, constantly progressive and in the pocket. Listen for catchy, provocative leads which often take the place of vocals throughout, and especially on instrumental tracks, Stoned Ape Theory and Invention of Fire.

However, vocals do come more into play on Primordial, with Baumann displaying a more developed and sophisticated vocal range. The vocal styles make use of melodies and aggressive delivery. Lyrical imagery includes references to humanoids like in Beast and Cult of Yeti. Classic stoner rock topics abound in Toke Wizard and Rogue Planet, as well as with weed references in Ancient Nug and Ghost Train Haze.

Rockwell Heim joined the band in 2019, replacing founding member, Anthony Dreyer. Rockwell’s style is fluid and progressive, both complementing and exploring Baumann’s riffs. Heim brings the heaviness of drummers such as Chris Haikus and Jason Roeder of Sleep and mixes it with the complexity and speed of drummers like Wingo Trivett, original drummer of The Sword. In fact, Rogue Planet may be one of the fastest songs in their arsenal, driven by Heim’s fast, galloping beats. Listen for examples of Heim’s progressive complexity on tracks like Ancient Nug and Stoned Ape Theory. Don’t miss heavy changeups, syncopated patterns, and heavy breakdowns on most of the tracks, notable on opening track, Primordial, and Cult of Yeti.

The album is available on Bandcamp for digital download for $11. Vinyl is available in multiple color combinations through TeePee Records for $25. Do yourself a favor and listen to this album on the physical LP. It’s also available on CD for $13. The band is currently on tour promoting their new release with tour dates listed below. The band is active on social media.

Tour Dates

Jul 28 Smalls – Detroit, MI

Jul 31 Revival Room, Southgate House Revival – Newport, KY

Aug 01 The Empty Bottle – Chicago, IL

Aug 03 Lyric Room – Green Bay, WI

Aug 04 Wildwood Saloon – Iowa City, IA

Aug 06 Reverb Lounge – Omaha, NE

Aug 07 Globe Hall – Denver, CO

Aug 08 Aces High Saloon – Salt Lake City, UT

Aug 10 Substation – Seattle, WA

Aug 11 The Shakedown – Bellingham, WA

Aug 12 Rickshaw Theater – Vancouver, BC

Aug 13 The Bossanova Ballroom – Portland, OR

Aug 14 Cafe Colonial – Sacramento, CA

Aug 16 Bottom of the Hill – San Francisco, CA

Aug 17 Gigi’s Cocktail Lounge – Ventura, CA

Aug 18 The Echo – Los Angeles (LA), CA

Aug 19 Yucca Tap Room – Tempe, AZ

Aug 21 89th Street – Oklahoma City, OK

Aug 23 Exit In – Nashville, TN

Aug 25 Record Bar – Kansas City, MO

Aug 26 Red Flag – St Louis, MO

Aug 27 Skylark – Rock Island, IL

Aug 28 The Lift – Dubuque, IA

Aug 29 7th St Entry – Minneapolis, MN

Feel This, the groovy new album by Crobot

Feel This was released on June 3, 2022

There are many keywords that could describe Crobot: stoner rock, glam, dirty grooves, heavy riffs, grungy action, attitude. The truth is Crobot embodies all of these and more. The four piece group from Pottsville, PA has been violently administering heavy grooves since 2011 and are back with their fifth full length, Feel This. The album delivers in classic Crobot style, with riffs and high-flying vocals on 12 heavy, headbanging tracks.

1. Electrified 4:00
2. Dizzy 3:32
3. Set You Free 3:31
4. Better Times 3:33
5. Golden 3:57
6. Without Wings 4:35
7. Livin’ on the Streets 3:02
8. Into the Fire 3:04
9. Dance with the Dead 2:59
10. Holy Ghost 3:17
11. Never Break Me 3:24
12. Staring Straight Into the Sun 4:56

Vocalist, Brandon Yeagley, and guitarist, Chris Bishop, are the founding members of the group, carrying forth the vision of the band with renewed passion on Feel This, which was released in June. Yeagley’s impressive vocal range is well displayed on opener, Electrified, a fight song with a shock of adrenaline and fast paced riffs. If any of the tracks could be called a stadium anthem, it might be Set You Free, with it’s nice key board accents and catchy vocal hooks. Yeagley’s lyrics are laced with wit and wordplay, like on the Motley Crue-esque Livin’ on the Streets and the catchy, classic rock sounding track, Dance With the Dead. On riffs, Bishop’s guitars sound crunchy and groovy. Listen for his unique signature guitar effects, notable on the opener, the grungy track Golden, and Holy Ghost, which features lots of cool, heavy changeups. Dizzy features slower, dirtier riffs and a quick Tom Morello style solo. Don’t miss Bishop’s extended solo on closer, Staring Straight Into the Sun, which also features a fast changeup and extended jam at the end.

Crobot formed in 2011

Dan Ryan joined in 2018 and recorded drums on Motherbrain and bassist, Tim Peugh, joined the band in 2021. Ryan’s drumming is rock solid, perfectly synced with Peugh’s growly bass tone. Listen for some tight transitions on Better Times, and don’t miss that super heavy, progressive ending on Without Wings. Hang on for the ride on headbangers like Into the Fire, Holy Ghost, which features some impressive drum fills, and Never Break Me, another attitude filled track which highlights Peugh’s awesome bass tone.

Feel this is available for streaming and digital download on Bandcamp for under $9. It’s also available on transparent red and multi-color splatter vinyl, as well as CD, on their merch page. Interact with the band on social media and check out their live dates for an incredibly energetic, action-packed live show. I got to see Crobot in January, 2014, at Club Fever in South Bend, IN, opening for The Sword and Clutch. I was completely blown away by their insane level of charisma and energy. I got to meet Yeagley at the merch table after the show for a quick chat. I was impressed with how much of an animal he was on stage and how chill, down to Earth, and generally kind he was as a human. If you get a chance to witness Crobot live, don’t pass the opportunity.

Tour Dates

Aug 19 Psycho Las Vegas – Las Vegas, NV

Dec 16 Royal Circus (Cirque Royal/Koninklijk Circus) – Brussels, Belgium

Dec 21 O2 Victoria Warehouse – Manchester, UK

Dec 22 O2 Academy Brixton – London, UK

Electric Mountain release high voltage desert rock album, Valley Giant

Valley Giant was released on May 27, 2022

The week, The Sonic Sofa travels to Mexico City for desert rock band Electric Mountain’s second full length release. The power trio burst onto the scene in 2013 with their classic rock influenced stoner rock sound, infused with plenty of high octane desert riffs. They put on a loud, headbanging show and have shared stages with Elder and Blackwater Holylight. Electric Mountain released their Self-Titled debut album in 2017. After a two-year hiatus, they’re back with their sophomore full length, Valley Giant, and it is well worth the wait.

Valley Giant was released in May on Electric Valley Records. It features beautiful extraterrestrial landscape art by Adam Burke of Nightjar Illustration. The album is nine tracks, clocking in at 46 minutes, though some streaming platforms include a tenth track, The Man. Throughout the record, the musicians blend a riffy blend of desert rock guitars and melodic vocals with a growly, driving rhythm section. What makes the album awesome are all of the extended, stoner rock turnarounds and classic rock breaks. It opens with short, heavy-blues intro, The Great Hall, and is a non-stop action ride until the lengthy and spacy closer, A Thousand Miles High. Filled with headbangers from start to finish, the album only slows down for a slight breather on the acoustic, At Last Everything, which also features some tasty vocal harmonies and hand percussion.

Electric Mountain formed in 2013

1. The Great Hall (Intro) 2:38
2. Outlanders 3:53
3. Morning Grace 5:14
4. Void 4:09
5. A Fistful of Grass 6:32
6. Desert Ride 5:00
7. Vulgar Planet 5:09
8. At Last Everything 4:31
9. A Thousand Miles High 8:41

Guitarist/vocalist Gibran Pérez pumps out the jams with fuzzy, heavy-blues riffs, and scorching solos infused with plenty of wah-pedal and phaser, and caps it off with clean, melodic vocals, that I felt like were reminiscent of early Sabbath, and possibly even Corrosion of Conformity. Drummer Max Cabrera keeps things solid and driving with some absolute balls to the walls drum beats and fills. Listen to the end of Outlanders for some Bonham-esque fills, and check out Desert Ride for some driving, desert rock drum-power. Jorge Trejo’s bass tone really stands out on the album, with a beefy tone, often spaced out with heavy wah-pedal action. Check out Morning Grace for a fat, fuzzed out bass tone, and listen for some compelling leads during on A Thousand Miles High.

You can find Valley Giant on Bandcamp. The digital album can be downloaded for $7. It is also available on CD for $7.50 as well as beautiful transparent purple or plain black vinyl for $23. Check out Electric Mountain’s social media for news and announcements.

Blue Heron set to release debut album, Ephemeral

Ephemeral will be released on May 27th

Blue Heron is a four-piece desert rock band from Albuquerque, NM. Their debut album, Ephemeral, will be released in late May. The group deals out a psychedelic mix of grungy heavy metal, with strong desert rock vibes and rhythms.

Ephemeral, featuring beautiful artwork by Mirko Gastow, is set for a May 27th release. The eight track album clocks in at a very listenable 47 minutes. It’s heavy from start to finish, with the exception of a few quiet interlude tracks that give short breathers between headbanging and breakdowns.

1. Futurola 5:22
2. Sayonara 13:20
3. Push the Sky 4:39
4. Infiniton Field 2:20
5. The Buck 6:19
6. Black Blood of the Earth 7:14
7. Where One Went Together 2:02
8. Salvage 5:53

Futurola music video by Dedisuseno

There’s plenty of driving, desert rock guitar, like on opener, Futurola, and even some High on Fire flavored riffage, like on Black Blood of the Earth, which also features a heavy, Sabbath-worship ending. Keep your ear out for plenty of spacy guitar solos, especially on the epic, 13 minute track, Sayonara, and even some reflective acoustic work on interlude track, Infiniton Field. Fans of Kal-El and Dozer will aprove.

The bass is impressive, with a full, in your face sound. It creates a solid, rhythmic counterpart for the drums, often taking the lead when the guitars are spacing out. Fans of Kyuss and Clutch will appreciate the complexity and driving rhythm. Check out Sayonara and The Buck for excellent examples of the growly bass tones and competent leads.

The drums are solid and driving throughout, featuring bluesy patterns and plenty of heavy breakdowns. There’s plenty of tasty tom work and cymbal accents, notable on Push the Sky, and a crisp sound shines through on closer, Salvage. Black Blood of the Earth has a definite stoner metal drumming sound, which fans of High on Fire and The Sword will appreciate, and don’t miss the shuffle pattern for the heavy blues ending.

The vocals are unique and diverse. Most of the album features melodic vocals with a throaty, aggressive delivery. Several of the tracks, including Sayonara and Push the Sky, have some edgy hardcore vocals at the end. Fans of John Garcia, Neil Fallon, and Matt Pike won’t be disappointed. Lyrical content ranges from mortality and the fleeting nature of existence to mythic fables about deposed gods and failed civilizations.

The album will be released by Kosmik Artifactz and Seeing Red Records. You can find the band on social media. Pre-order the digital album on Bandcamp for $6 or vinyl for $25, with supplies shipping on May 30th. Check out the merch page for bundle deals on their album and Black Blood of the Earth/A Sunken Place EP from 2021. Also, check out the music videos for Futurola and Push the Sky. Definitely keep an ear out for more from Blue Heron.

The Singularity: New album by Wo Fat

The Singularity was released on May 6, 2022

Wo Fat’s brand of heavy blues is guaranteed to blow your mind with their progressive style and spacy jam sessions. They set themselves apart from typical bands of the genre with their unique blend of groovy Texas stoner rock. Now, the power trio from Dallas is back with The Singularity, their seventh studio album, released through Ripple Music.

The band’s first full length studio album in five years, The Singularity is a worthy follow-up to 2016’s Midnight Cometh. It features gnarly cover art by Eli Quinn and is composed of seven tracks, clocking in at a beefy 75 minutes. Like the structure of most of their past work, the tracks are more like two songs in one. They usually open with a heavy, blues-based stoner rock song, before proceeding to melt faces with dynamic, progressive jams for the last half, with tons of heavy changeups, melodic sci-fi lyrics, fluid drum work, jazzy infusions, stoner rock turnarounds, and soaring guitar solos.

1. Orphans of the Singe 13:54
2. The Snows of Banquo IV 8:25
3. Overworlder 11:54
4. The Unraveling 7:42
5. The Witching Chamber 9:25
6. The Singularity 7:46
7. The Oracle 16:32

Personnel (Left to Right): Zack Busby (Bass), Michael Walter (Drums), Kent Stump (Guitar/Vox)

From start to finish, the album is an absolute head banger. Kent Stump provides muscular guitar riffs and, like Tim Sult of Clutch, knows his way around a wah-pedal. His heavy blues and progressive style at times remind me of Droids Attack, or possibly even early Galactic Cowboys. Stump’s vocals are aggressive and melodic, with occasional harmonies. On bass, Zack Busby keeps things solid with a beefy bass tone that is perfectly locked on to the drum work, while creating an incredibly perceptive compliment to the guitar riffs, and like Geezer Butler, isn’t afraid to explore the fretboard. Michael Walter provides a huge, driving drum sound with a fluid complexity that dances between time signatures and explores every aspect of the riff.

You can find all of Wo Fat’s releases, including splits and live albums, on Bandcamp. Their entire discography is available for digital download for under $54. The Singularity is available on CD and digital download for $10. The album is also available on color-splat or black double vinyl, though copies are sold out as of this writing. Check out their merch page for tons of cool t-shirts as well as copies of back albums.

Sleep Concert Review and News

Sleep live in Denver, April 18, 2022 – Photo credit: The Purlenaut

Last October, Sleep announced a brief, weeklong 2022 tour for April, totaling three shows in Denver, Colorado Springs, and Albuquerque, culminating on 4/20. This evolved into five total shows, with an extra matinee show added in Colorado Springs and a quickly announced appearance at Meow Wolf’s House of Eternal Return in Santa Fe. Along with the tour, Sleep released a live recording from their concert in New York in 2018, as well as a remastered reissue of Dopesmoker on Third Man Records.

Denver setlist – Photo Credit: Tim Bugbee

I made it to their show at the Mission Ballroom in Denver. After openers Superwolves, Sleep took the stage and gave the tightest, most studio-quality performance that I’ve witnessed them perform. There were noticeably less amps on stage than previous shows, which, paired with the robust in-house system, seemed to result in a cleaner mix and more focused sound. The vocals especially were clearer and more distinct; less overshadowed in the mix than previous shows. The mini tour also featured the debut of Al’s 4420 custom double-neck Rickenbacker. The setlist included two classic tracks from their album, Holy Mountain (Holy Mountain, Dragonaut), both Adult Swim Singles (Leagues Beneath, The Clarity), and three tracks from The Sciences (Marijuanaut’s Theme, Sonic Titan, The Botanist).

Among the tables of merch was the limited release of 420 hand etched records from their concert in New York, 2018. It features some sick Escape From New York cover art complete with their signature Sabbath worship. The two green and white discs have a great live concert sound, as well as an amazing mix that really captures the full dynamic range of the band. The low end is especially bright and pronounced.

New York 2018 – Photo Credit: The Purlenaut

In other news, Sleep recently announced a reissue of their legendary Dopesmoker LP with Nashville’s Third Man Records. The album is remastered from the source tapes and features a rare studio recording of the previously unreleased track, Hot Lava Man, as well as studio notes and vintage photo prints of the band members. The album retains original artwork by longtime collaborator and album cover artist, Arik Roper. The album is available through Third Man’s Vault Subscription. The sign up deadline to receive the album is April 30th at midnight.

Tour Dates

Aug 27 This Ain’t No Picnic Festival – Pasadena, CA, US

Ancient Nug: New single by Telekinetic Yeti

Primordial is set for release on July 8, 2022

Telekinetic Yeti is a two-piece stoner rock band from Dubuque, Iowa. Formed in 2015, the band was started by singer and guitarist, Alex Baumann. Abominable, the band’s first album, was released in March 2017. The heavy album is brilliantly arranged and packs a major punch that rewards repeat listens. After that release, the band began touring heavily, sharing stages with giants such as Weedeater, Truckfighters, 1000 Mods, Red Fang, and Clutch.

After a change of drummers and with five years since their first release, the duo will finally release their second album, Primordial, an album they’ve been sitting on since 2020. It’s their first album signed with Tee Pee Records. The new single, Ancient Nug, picks up where Abominable left off. It has chunky guitar riffs, complex drumbeats, melodic, guttural vocals, plenty of changeups, and don’t miss that heavy down-tempo outro.

It was released as a music video, featuring the duo rocking out onstage in an old church. Guitarist Baumann explained, “This song is about searching for meaning and purpose amidst the ubiquitous suffering we endure. It’s also about something long lost being rediscovered, and the resonating ripples of butterfly effects from the ancient past that affect all life today. We really liked filming in this location because it had such a meditative and surreal quality to it. We felt that it fit the themes of the song well.”

The album can be pre-ordered on black or purple vinyl for $25 or on CD for $13. Check out the music video and get hyped for the new album! Also, look for Telekinetic Yeti at a handful of shows in May, including Desertfest NYC.

MAY 12 Westside Bowl – Youngstown, OH

MAY 14 Middle East – Boston, MA

MAY 15 Desertfest NYC – New York, NY