Evidence of Immortality: New doom metal album from Conan

Evidence of Immortality was released on August 19th

Conan, the three piece doom metal band from Liverpool, are back with their fifth full length, Evidence of Immortality. Formed in 2006, the group has delivered a consistently heavy barrage of “caveman battle doom.” Down-tuned to the extreme and amplified as loudly as possible, the riffage, thunderous rhythm section, and tortured sounding vocals conjure images of blood-soaked battlefields and cosmic monsters; in other words, great escapist stoner rock. The lyrics are also mixed with just the right amount of nihilistic philosophy in the vein of Robert E Howard and Lovecraft. Conan is to doom what High on Fire is to thrash-stoner, but don’t get hung too up on genres: The important thing is that with Evidence of Immortality, Conan has once again delivered one of the heaviest records available today.

1. A Cleaved Head No Longer Plots 10:23
2. Levitation Hoax 5:29
3. Ritual Of Anonymity 3:36
4. Equilibrium Of Mankind 8:23
5. Righteous Alliance 8:34
6. Grief Sequence 14:29

Evidence of Immortality was released on August 19, 2022. It clocks in at 51 minutes with six songs. Personnel include founding guitarist/vocalist, Jon Davis, bassist Chris Fielding, who first appeared on 2014’s Blood Eagle, and drummer Johnny King, who joined before the recording of 2018’s Existential Void Guardian. Long time band artist Tony Roberts once again completely captures the feel of the band with some gnarly battlefield album art. The album was released through Napalm Records.

Conan – Levitation Hoax

Album opener, A Cleaved Head No Longer Plots, clocks in at over 10 minutes (typical Conan song length) with slow, monolithic riffs and a huge drum sound. Pay attention for some cool phaser effects and a snarly guitar solo. Levitation Hoax was the first single released for the new album, accompanied by a hilariously brutal music video. Davis and Fielding’s, “I am the unborn son, of the unborn son,” chant is pretty catchy, and don’t miss the head banger last half. Ritual of Anonymity, the shortest song on the album, features some groovy rhythm sections and some positively thrashy sections.

Jon Davis of Conan, during a 2018 concert

Equilibrium of Mankind features some huge buildups, heavy-blues sounding riffs when it gets into it, and tortured, existential battle vocals. It’s also got a great interlude with a seriously groovy drum beat and huge sounding cymbals. The double kick at the end is an awesome touch. Righteous Alliance was the album’s second single. It’s embedded below, so give it a listen. The sound is classic Conan, with dark riffs and a chunky bass tone. Listen for the catchy, “Cometh the righteous alliance,” lyrics and don’t miss the slow, doom jam at the end. Grief Sequence, the longest track, is an instrumental slow burn with the addition of some funeral-doom, haunted house style organ synths provided by former bandmember Dave Perry.

You can find Evidence of Immortality as Conan’s back catalogue on Bandcamp. The digital download is available for $10. A double LP of the record is available for $23, along with tons of other cool merch and copies of back albums, through Napalm Records. The band is active on social media.

Tour Dates

Sep 22 L’Homme Sauvage Festival, Auzas – Toulouse, France

Sons of Arrakis release epic debut album

Volume 1 was released on July 15th

Sons of Arrakis are a four-piece stoner rock band from Montréal, Quebec. The group formed in 2019 with a strong affinity for the writings of Frank Herbert. Their name and much of their work reference Dune, the sci-fi series by Herbert. The band refers to their work as “Melange rock and cinematic sci-fi rock.” Melange refers to the hallucinogenic spice drug from Dune. For stoner rock fans who also enjoy Herbert’s work, you’re in for a real sci-fi treat, but for the casual stoner rock fan, don’t worry: You don’t have to be familiar with the book series to enjoy the music, although Sons of Arrakis may make you want to check out the books or movies.

Musically, the band delivers massive doses of seriously groovy riff rock and fantasy lyrics in the vein of bands like The Sword and Telekinetic Yeti. Volume 1, the band’s debut record, was released in July. It’s both epic and brisk, clocking in at a cool 30 minutes with eight tracks. In the past, my friend Nashville Eric and I judged good albums, such as Led Zeppelin III, on their ability to leave you wanting more. Sons’ Volume 1 will leave you wanting more and looking forward to Volume 2.

1. Shai-Hulud 1:33
2. The Black Mirror 3:43
3. Complete Obliteration 4:01
4. Temple of the Desert 4:26
5. Omniscient Messiah 4:12
6. Lonesome Preacher 5:13
7. Abomination 4:37
8. Shai-Hulud (Sequel) 2:19

Frédéric Couture’s vocals are dynamic and high flying, delivered in his own unique style, with catchy melodies. The Black Mirror gives a good example of Couture’s high register. He also executes some nice harmonies, even evoking some Alice in Chains vibes on Complete Obliteration. Lyrically, the album discusses some hefty themes such as philosophy, warfare, religion, and systematic subjugation, all with that subtle Frank Herbert influence. Many of the tracks, such as Shai Hulud, Abomination, Omniscient Messiah, and Lonesome Preacher also reference characters in the Duniverse. Lyrics here.

Alexandre Goulet’s sci-fi graphic design adds authenticity and feel to the band’s mystique

Francis Duchesne on lead guitars along with Couture on rhythm guitars establish an absolutely fuzzy juggernaut of chuggy, progressive riffs with strong heavy blues vibes. They set the heavy bluesy mood on instrumental opener, Shai Hulud, which is also continued on the album closer, Shai Hulud Sequel. There are also awesome dual guitar leads throughout. Listen to Temple of the Desert, Abomination, and Complete Obliteration for some prime dual guitar leads. Complete Obliteration and Omniscient Messiah also feature blazing guitar solos.

Mathieu Racine’s drum sound is groovy and in the pocket. From the very start, the drummer sets the standard for the album with some heavy blues style. Check out Temple of the Desert for an awesome bluesy shuffle pattern. He’s got chops too. Listen to the start and finish of Abomination for some technical and fast drumming, in the vein of Trivett Wingo of The Sword fame. On bass, Vick Trigger is the perfect rhythmic counterpart, delivering track after track of deep grooves, perfectly in sync with Racine’s drum patterns. Get lost in the deep groove of tracks like Omniscient Messiah and Abomination, where the powerhouse pair deliver tasty change-ups and progressive jams.

Official music video for Omniscient Messiah, directed by Arturo Baston. Monster modeled and animated by Albert Calle Joamat

Volume 1 is available for digital download on Bandcamp for Name Your Price! Vinyl is available for $30 and CDs for just over $10. The band’s graphic artist, Alexandre Goulet, did an awesome job of creating Dune-influenced art for the band, and the band has a poster and t-shirts featuring many of the spacy designs on their merch page. An interview and live acoustic recording of the band was recently featured on a podcast by The Stoner Rock Army‘s The General, Eric Varasifsky. Also, check out Distorted Sound Magazine’s article, which goes in depth (SPOILERS) regarding the band’s direct Dune references.

Feel This, the groovy new album by Crobot

Feel This was released on June 3, 2022

There are many keywords that could describe Crobot: stoner rock, glam, dirty grooves, heavy riffs, grungy action, attitude. The truth is Crobot embodies all of these and more. The four piece group from Pottsville, PA has been violently administering heavy grooves since 2011 and are back with their fifth full length, Feel This. The album delivers in classic Crobot style, with riffs and high-flying vocals on 12 heavy, headbanging tracks.

1. Electrified 4:00
2. Dizzy 3:32
3. Set You Free 3:31
4. Better Times 3:33
5. Golden 3:57
6. Without Wings 4:35
7. Livin’ on the Streets 3:02
8. Into the Fire 3:04
9. Dance with the Dead 2:59
10. Holy Ghost 3:17
11. Never Break Me 3:24
12. Staring Straight Into the Sun 4:56

Vocalist, Brandon Yeagley, and guitarist, Chris Bishop, are the founding members of the group, carrying forth the vision of the band with renewed passion on Feel This, which was released in June. Yeagley’s impressive vocal range is well displayed on opener, Electrified, a fight song with a shock of adrenaline and fast paced riffs. If any of the tracks could be called a stadium anthem, it might be Set You Free, with it’s nice key board accents and catchy vocal hooks. Yeagley’s lyrics are laced with wit and wordplay, like on the Motley Crue-esque Livin’ on the Streets and the catchy, classic rock sounding track, Dance With the Dead. On riffs, Bishop’s guitars sound crunchy and groovy. Listen for his unique signature guitar effects, notable on the opener, the grungy track Golden, and Holy Ghost, which features lots of cool, heavy changeups. Dizzy features slower, dirtier riffs and a quick Tom Morello style solo. Don’t miss Bishop’s extended solo on closer, Staring Straight Into the Sun, which also features a fast changeup and extended jam at the end.

Crobot formed in 2011

Dan Ryan joined in 2018 and recorded drums on Motherbrain and bassist, Tim Peugh, joined the band in 2021. Ryan’s drumming is rock solid, perfectly synced with Peugh’s growly bass tone. Listen for some tight transitions on Better Times, and don’t miss that super heavy, progressive ending on Without Wings. Hang on for the ride on headbangers like Into the Fire, Holy Ghost, which features some impressive drum fills, and Never Break Me, another attitude filled track which highlights Peugh’s awesome bass tone.

Feel this is available for streaming and digital download on Bandcamp for under $9. It’s also available on transparent red and multi-color splatter vinyl, as well as CD, on their merch page. Interact with the band on social media and check out their live dates for an incredibly energetic, action-packed live show. I got to see Crobot in January, 2014, at Club Fever in South Bend, IN, opening for The Sword and Clutch. I was completely blown away by their insane level of charisma and energy. I got to meet Yeagley at the merch table after the show for a quick chat. I was impressed with how much of an animal he was on stage and how chill, down to Earth, and generally kind he was as a human. If you get a chance to witness Crobot live, don’t pass the opportunity.

Tour Dates

Aug 19 Psycho Las Vegas – Las Vegas, NV

Dec 16 Royal Circus (Cirque Royal/Koninklijk Circus) – Brussels, Belgium

Dec 21 O2 Victoria Warehouse – Manchester, UK

Dec 22 O2 Academy Brixton – London, UK

Paradox Paradigm: The spacy new album by Space Druids

Paradox Paradigm was released on June 21, 2022

Space Druids is a space rock band based in York, UK. The seven-piece group produces a progressive style of vintage-sounding psychedelic rock, dripping with layers of spacy FX, along with catchy and thought provoking sci-fi lyrics. The band released their first full-length, Paradox Paradigm, in June. Naming themselves the next Hawkwind, their retro-style will certainly appeal to their fans, as well as those of Zeppelin, Pink Floyd, and even Sabbath, whose track Paranoid they covered in a very spacy way in 2019.

The 38 minute, nine track album is a follow-up to the group’s 2020 EP, Weird Tide, which featured female vocals by Nadezhda Rinkus. This time around, vocal duties are taken up by Danny Faulkner. Stylistically, Faulkner provides beautiful melodies, catchy harmonies, and lyrics that you’ll find yourself singing along to or humming later, like Hawkwind with a dash of Jim Morrison. Faulkner channels and gives voice to spacy lyrics written by Oz Hardwick, perhaps the most qualified lyricist to appear on this site. Hardwick is a published poet, author, and professor of English at Leeds Trinity University. His space-worship wordsmithing adds layers to the album, delving deep into interstellar-travel fantasies and philosophy, notably on the songs Astronomy and Afraid of Space. He also provides doses of satire and humor, as on the musical version of his published poem, Our Brand New Bodies, which effectively combines the languages of the golden age of sci-fi and advertising. Listen for Hardwick on the spoken voice portions of the album.

“We are the wanderers, who travel through time”

– Paradox PAradigm

The album features energetic and driving songs which have a tendency to explore extended spacy interludes, marinated in juicy layers of FX, keyboards, and instruments. The seamless quality of the song breaks also makes the album interesting, with many of the songs crossfading into the next. The bass has a great classic rock tone, often taking the lead throughout the album like on tracks Light Speed and Mutation Machine. The crisp-sounding, typically driving drum beats provide a solid pulse, occasionally providing some tricky cymbal work like on Mutation Machine, or some jazzy progressions like on closer, Paradox Paradigm.

1. Light Speed 04:53
2. Zygote 05:16
3. Astronomy 01:07
4. Afraid of Space 03:47
5. Mutation Machine 05:11
6. Stainless Steel Butterfly 05:49
7. Our Brand New Bodies 01:54
8. Trans-dimensional Highway 05:01
9. Paradox Paradigm 04:31

On the top end, listen for some funky, progressive guitar riffs and spacy solos, like on Trans-Dimensional Highway. The guitar is always at hand, delivering infectious hooks and interesting accents, soaked in ethereal reverb and FX. A standout on the album is the saxophone, constantly providing trippy solos and spacy layers to the tracks, notably on opener, Light Speed, and Zygote, which also features some chill Pink Floyd vibes. Listen for some spectacularly spacy and psychedelic sax and violin work on Trans-dimensional Highway. Also keep an ear our for some appealing flute parts and acoustic guitar work on Paradox Paradigm, as well some tasty synths on Stainless Steel Butterfly.

The album is available for NAME YOUR PRICE on Bandcamp. Currently the album is only available for streaming and digital download, though a physical CD release seems like a real possibility. Check out the album and follow the group on social media.

Sasquatch release heavy new album, Fever Fantasy

Fever Fantasy came out on June 3, 2022

Sasquatch is back with their sixth full length headbanger. The LA power trio released Fever Fantasy in June, and it is a heavy ride for all nine tracks. From epic opener, It Lies Beyond the Bay, Sasquatch are where they belong: in the driver’s seat with throttles wide open.

Craig Riggs, who joined the band for their previous album, Maneuvers, continues to provide a huge drum sound to back Keith Gibbs’s walls of fuzzy guitar riffs and Jason “Cas” Casanova’s growly bass tone. Gibbs also delivers plenty of catchy, attitude infused vocals, like on fifth track, Live Snakes.

1. It Lies Beyond The Bay 4:55
2. Lilac 4:14
3. Witch 4:43
4. Ivy 8:12
5. Live Snakes 4:03
6. Voyager 2:52
7. Part of Not Knowing 5:05
8. Save The Day, Ruin The Night 3:19
9. Cyclops 4:35

Sasquatch’s focus on emphasizing killer hooks is evident on high energy tracks like Lilac, and Save the Day, Ruin the Night. Listen for tight grooves and heavy buildups on Ivy. Some killer heavy blues riffs are released on Witch, Voyager, and Part of Not Knowing. On a few of the tracks, notably Witch and Ivy, tasty organ tones fill out the mix nicely.

On the back end, the album was recorded and mixed by Andrew Schneider who has been involved with the band’s production since II was released in 2006. Schneider has helped hone the band’s sound to it’s heaviest yet, with a raw, massive sound that easily translates to the stage. The cover artwork was created by Indonesia-based artist, Ian Permana, whose art, like a fever fantasy, beautifully blends fantasy and realism into something in between.

Clip of Voyager with full album-art visualization

If you’re into bands like Astroqueen, Nebula, Crobot, and Clutch, you’re going to dig Sasquatch. They’re hitting the road next month for an extensive tour which will cover North America, Canada, Europe, Australia, and New Zealand. The tour includes many of big rock festivals like Ripple Fest and Psycho Las Vegas. Find links to concerts and tickets on their website. Check them out on Bandcamp where you can order Fever Fantasy on vinyl or CD, browse tons of merch, and order back releases.

JUL 8 Mammothfest 2022 – Nea Karvali, Greece

JUL 15 Stoned From The Underground 2022 – Nöda, Germany

JUL 23 Ripplefest Texas – Austin, TX

JUL 25 Black Magic Social Club – Houston, TX

JUL 26 The Freetown Boom Boom Room – Lafayette, LA

JUL 27 Santos Bar – New Orleans, LA

JUL 28 Loosey’s – Gainesville, FL

JUL 29 Will’s Pub – Orlando, FL

JUL 30 The Wormhole Neighborhood Pub & Music Venue – Savannah, GA

JUL 31 Boggs Social & Supply – Atlanta, GA

AUG 2 TROLLEY PUB – Summerville, SC

AUG 3 Cafe 611 – Frederick, MD

AUG 4 Prost Bier and music hall – Griswold, CT

AUG 5 Saint Vitus Bar – New York, NY

AUG 6 The Middle East Restaurant and Nightclub – Cambridge, MA

AUG 7 The Piranha Bar – Montréal, QC

AUG 9 Brass Monkey – Nepean, ON

AUG 10 Hard Luck Bar – Toronto, ON

AUG 11 Westside Bowl – Youngstown, OH

AUG 12 Ace of Cups – Columbus, OH

AUG 13 Reggies Rock Club – Chicago, IL

AUG 14 Lyric Room – Green Bay, WI

AUG 15 7th Street Entry – Minneapolis, MN

AUG 16 Cosmic Eye Brewing – Lincoln, NE

AUG 17 Vultures – Colorado Springs, CO

AUG 18 Aces High Saloon – Salt Lake City, UT

AUG 19 Psycho Las Vegas Festival 2022 – Las Vegas, NV

AUG 20 Transplants Brewing Company – Palmdale, CA

AUG 21 Brick By Brick – San Diego, CA

SEP 1 VINNIES DIVE BAR – Southport, Australia

SEP 2 King Lear’s Throne – Fortitude Valley, Australia

SEP 3 The Vanguard – Newtown Nsw, Australia

SEP 4 The Baroque Room – Katoomba, Australia

SEP 7 La La La’s – Wollongong, Australia

SEP 8 The Basement Canberra – Belconnen, Australia

SEP 9 Singing Bird Studio – Frankston, Australia

SEP 10 Bendigo Hotel – Collingwood, Australia

SEP 11 ENIGMA BAR – Adelaide, Australia

SEP 15 Whammy Bar – Auckland, New Zealand

SEP 16 Valhalla – Wellington, New Zealand

SEP 17 12 Bar – Christchurch, New Zealand

Electric Mountain release high voltage desert rock album, Valley Giant

Valley Giant was released on May 27, 2022

The week, The Sonic Sofa travels to Mexico City for desert rock band Electric Mountain’s second full length release. The power trio burst onto the scene in 2013 with their classic rock influenced stoner rock sound, infused with plenty of high octane desert riffs. They put on a loud, headbanging show and have shared stages with Elder and Blackwater Holylight. Electric Mountain released their Self-Titled debut album in 2017. After a two-year hiatus, they’re back with their sophomore full length, Valley Giant, and it is well worth the wait.

Valley Giant was released in May on Electric Valley Records. It features beautiful extraterrestrial landscape art by Adam Burke of Nightjar Illustration. The album is nine tracks, clocking in at 46 minutes, though some streaming platforms include a tenth track, The Man. Throughout the record, the musicians blend a riffy blend of desert rock guitars and melodic vocals with a growly, driving rhythm section. What makes the album awesome are all of the extended, stoner rock turnarounds and classic rock breaks. It opens with short, heavy-blues intro, The Great Hall, and is a non-stop action ride until the lengthy and spacy closer, A Thousand Miles High. Filled with headbangers from start to finish, the album only slows down for a slight breather on the acoustic, At Last Everything, which also features some tasty vocal harmonies and hand percussion.

Electric Mountain formed in 2013

1. The Great Hall (Intro) 2:38
2. Outlanders 3:53
3. Morning Grace 5:14
4. Void 4:09
5. A Fistful of Grass 6:32
6. Desert Ride 5:00
7. Vulgar Planet 5:09
8. At Last Everything 4:31
9. A Thousand Miles High 8:41

Guitarist/vocalist Gibran Pérez pumps out the jams with fuzzy, heavy-blues riffs, and scorching solos infused with plenty of wah-pedal and phaser, and caps it off with clean, melodic vocals, that I felt like were reminiscent of early Sabbath, and possibly even Corrosion of Conformity. Drummer Max Cabrera keeps things solid and driving with some absolute balls to the walls drum beats and fills. Listen to the end of Outlanders for some Bonham-esque fills, and check out Desert Ride for some driving, desert rock drum-power. Jorge Trejo’s bass tone really stands out on the album, with a beefy tone, often spaced out with heavy wah-pedal action. Check out Morning Grace for a fat, fuzzed out bass tone, and listen for some compelling leads during on A Thousand Miles High.

You can find Valley Giant on Bandcamp. The digital album can be downloaded for $7. It is also available on CD for $7.50 as well as beautiful transparent purple or plain black vinyl for $23. Check out Electric Mountain’s social media for news and announcements.

Sageness delivers third full length, Tr3s

Tr3s was released on May 15, 2022

Sageness is an instrumental psychedelic rock band from León, Spain. The power trio treats their music with an infusion of post-rock and shoegaze guitar work, and live recording in the studio gives them a fresh, raw sound. The group has just released their third album, the aptly titled Tr3s. It’s a mature, well-developed follow-up to 2019’s Akmé (Full review here) and their Self-titled album from 2017.

1. The Effect of Colours 9:45
2. Greenhouse 8:04
3. Spirit Machine 6:16
4. Event horizon 12:22

Tr3s is composed of four tracks, clocking in at 37 minutes. Throughout the album, muscular riffs and sensual guitar textures, infused with plenty of wah-pedal and shoe-gaze FX, are underscored by a crisp, clean bass sound, and solid drum patterns. Subtle, spacy synth sounds add to the atmosphere. The album is a further testament to Sageness’s skill as a well-rehearsed jam band. The long, creative arrangements at times remind me of Elder, in the vein of their instrumental album, The Gold & Silver Sessions, but with more of the muscle of Dead Roots Stirring. Whether you’re on a road trip or sonic tripping on the sofa, Tr3s is an ideal soundtrack. It’s got plenty of headbanging as well as spacy post-rock introspection.

You can find Sageness on Bandcamp. The digital album is available for download for $7. Tr3s is also on CD for $9 or vinyl for $25. Ceck out the band’s social media and merch pages for vinyl/t-shirt bundle deals, and don’t forget to check out the music videos for The Effect of Colours and Spirit Machine.

The Dry Mouths release new psych album, Thödol

Thödol was released on May 13, 2022

The Dry Mouths are a psychedelic instrumental power trio from Almería, Spain. The band specializes in creating sonic landscapes of hypnotic, psychedelic soundwaves, laced with occasional heavy stoner rock sections. Active since 2006, the group has six full length records, with the release of 2022’s Thödol.

Released in May, Thödol is inspired by the Tibetan Book of the Dead. The band elaborates on their interpretations with 10 tracks, ranging from two-seven minutes. According to a statement from the band, “The album is a work of fantasy and extra-sensory experiences, of life and death, of both peaceful and dark visions, of self knowledge and of the fight against the fears that our own minds create. The album is a mental journey in which consciousness separates from the physical body and tries to gain enlightenment and ascend above, through the act of listening.” For the best effect, Thödol should be listened to start to finish, as a single composition, to fully induce the trance.

1. Den-Dro Sum 3:40
2. Hinayana 6:29
3. Kyenay 4:26
4. Milam 2:49
5. Dhyana 3:34
6. Ngen-Dro Sum 5:20
7. Chikhai 3:40
8. Dharmata 5:37
9. Zhi Tros Lha 7:10
10. Chönyid 2:01

Opener Den-Dro Sum sets the mood for the first three quarters of the album with soothing guitar leads that more than take the place of vocals. It’s easy to get lost in the hypnotic drum patterns. Hinayana introduces a fat bass tone, bordering on dub, and listen for some creative percussion throughout and a kettle drum sound at the end. Kyenay features a groovy rhythm section and some cool post-rock guitar leads, while Milam has some creative Middle-Eastern sounding guitar that gave me Babylon Tree vibes. The ethnic sounding drumming and sitar on Dhyana made it a stand out track for me. Another stand out was Ngen-Dro Sum, which changed things up with one of the heaviest riffs on the album. The last four tracks of the album mostly replace the guitar melodies with spacy synth layers. Chikhai features a chill transition with layers of keyboard tones building up throughout. The heavy synth tone on Dharmata gave me some low-key Dimetrodon vibes. Listen on Zhi Tros Lha for a spacier synth sound and groovy, fx-heavy bass tone, while Chönyid closes out the album in a satisfying, low-key way.

The record, a follow-up to 2019’s Lo-Fi Sounds for Hi-Fi People, was recorded at Desert City Studio between October, 2020 and June, 2021. The artwork was disigned and created by Iván Carreño. It can be downloaded on Bandcamp for under $7. The vinyl record, co-released by Spinda Records, Aneurisma Records, Violence In The Veins, Discos Macarras, Zona Rock Productions, Bandera Records, Quebranta Records and Odio Sonoro, can be ordered for $20. Check out the band’s merch page for current and back releases and find the band on social media.

Blue Heron set to release debut album, Ephemeral

Ephemeral will be released on May 27th

Blue Heron is a four-piece desert rock band from Albuquerque, NM. Their debut album, Ephemeral, will be released in late May. The group deals out a psychedelic mix of grungy heavy metal, with strong desert rock vibes and rhythms.

Ephemeral, featuring beautiful artwork by Mirko Gastow, is set for a May 27th release. The eight track album clocks in at a very listenable 47 minutes. It’s heavy from start to finish, with the exception of a few quiet interlude tracks that give short breathers between headbanging and breakdowns.

1. Futurola 5:22
2. Sayonara 13:20
3. Push the Sky 4:39
4. Infiniton Field 2:20
5. The Buck 6:19
6. Black Blood of the Earth 7:14
7. Where One Went Together 2:02
8. Salvage 5:53

Futurola music video by Dedisuseno

There’s plenty of driving, desert rock guitar, like on opener, Futurola, and even some High on Fire flavored riffage, like on Black Blood of the Earth, which also features a heavy, Sabbath-worship ending. Keep your ear out for plenty of spacy guitar solos, especially on the epic, 13 minute track, Sayonara, and even some reflective acoustic work on interlude track, Infiniton Field. Fans of Kal-El and Dozer will aprove.

The bass is impressive, with a full, in your face sound. It creates a solid, rhythmic counterpart for the drums, often taking the lead when the guitars are spacing out. Fans of Kyuss and Clutch will appreciate the complexity and driving rhythm. Check out Sayonara and The Buck for excellent examples of the growly bass tones and competent leads.

The drums are solid and driving throughout, featuring bluesy patterns and plenty of heavy breakdowns. There’s plenty of tasty tom work and cymbal accents, notable on Push the Sky, and a crisp sound shines through on closer, Salvage. Black Blood of the Earth has a definite stoner metal drumming sound, which fans of High on Fire and The Sword will appreciate, and don’t miss the shuffle pattern for the heavy blues ending.

The vocals are unique and diverse. Most of the album features melodic vocals with a throaty, aggressive delivery. Several of the tracks, including Sayonara and Push the Sky, have some edgy hardcore vocals at the end. Fans of John Garcia, Neil Fallon, and Matt Pike won’t be disappointed. Lyrical content ranges from mortality and the fleeting nature of existence to mythic fables about deposed gods and failed civilizations.

The album will be released by Kosmik Artifactz and Seeing Red Records. You can find the band on social media. Pre-order the digital album on Bandcamp for $6 or vinyl for $25, with supplies shipping on May 30th. Check out the merch page for bundle deals on their album and Black Blood of the Earth/A Sunken Place EP from 2021. Also, check out the music videos for Futurola and Push the Sky. Definitely keep an ear out for more from Blue Heron.

The Singularity: New album by Wo Fat

The Singularity was released on May 6, 2022

Wo Fat’s brand of heavy blues is guaranteed to blow your mind with their progressive style and spacy jam sessions. They set themselves apart from typical bands of the genre with their unique blend of groovy Texas stoner rock. Now, the power trio from Dallas is back with The Singularity, their seventh studio album, released through Ripple Music.

The band’s first full length studio album in five years, The Singularity is a worthy follow-up to 2016’s Midnight Cometh. It features gnarly cover art by Eli Quinn and is composed of seven tracks, clocking in at a beefy 75 minutes. Like the structure of most of their past work, the tracks are more like two songs in one. They usually open with a heavy, blues-based stoner rock song, before proceeding to melt faces with dynamic, progressive jams for the last half, with tons of heavy changeups, melodic sci-fi lyrics, fluid drum work, jazzy infusions, stoner rock turnarounds, and soaring guitar solos.

1. Orphans of the Singe 13:54
2. The Snows of Banquo IV 8:25
3. Overworlder 11:54
4. The Unraveling 7:42
5. The Witching Chamber 9:25
6. The Singularity 7:46
7. The Oracle 16:32

Personnel (Left to Right): Zack Busby (Bass), Michael Walter (Drums), Kent Stump (Guitar/Vox)

From start to finish, the album is an absolute head banger. Kent Stump provides muscular guitar riffs and, like Tim Sult of Clutch, knows his way around a wah-pedal. His heavy blues and progressive style at times remind me of Droids Attack, or possibly even early Galactic Cowboys. Stump’s vocals are aggressive and melodic, with occasional harmonies. On bass, Zack Busby keeps things solid with a beefy bass tone that is perfectly locked on to the drum work, while creating an incredibly perceptive compliment to the guitar riffs, and like Geezer Butler, isn’t afraid to explore the fretboard. Michael Walter provides a huge, driving drum sound with a fluid complexity that dances between time signatures and explores every aspect of the riff.

You can find all of Wo Fat’s releases, including splits and live albums, on Bandcamp. Their entire discography is available for digital download for under $54. The Singularity is available on CD and digital download for $10. The album is also available on color-splat or black double vinyl, though copies are sold out as of this writing. Check out their merch page for tons of cool t-shirts as well as copies of back albums.