Feel This, the groovy new album by Crobot

Feel This was released on June 3, 2022

There are many keywords that could describe Crobot: stoner rock, glam, dirty grooves, heavy riffs, grungy action, attitude. The truth is Crobot embodies all of these and more. The four piece group from Pottsville, PA has been violently administering heavy grooves since 2011 and are back with their fifth full length, Feel This. The album delivers in classic Crobot style, with riffs and high-flying vocals on 12 heavy, headbanging tracks.

1. Electrified 4:00
2. Dizzy 3:32
3. Set You Free 3:31
4. Better Times 3:33
5. Golden 3:57
6. Without Wings 4:35
7. Livin’ on the Streets 3:02
8. Into the Fire 3:04
9. Dance with the Dead 2:59
10. Holy Ghost 3:17
11. Never Break Me 3:24
12. Staring Straight Into the Sun 4:56

Vocalist, Brandon Yeagley, and guitarist, Chris Bishop, are the founding members of the group, carrying forth the vision of the band with renewed passion on Feel This, which was released in June. Yeagley’s impressive vocal range is well displayed on opener, Electrified, a fight song with a shock of adrenaline and fast paced riffs. If any of the tracks could be called a stadium anthem, it might be Set You Free, with it’s nice key board accents and catchy vocal hooks. Yeagley’s lyrics are laced with wit and wordplay, like on the Motley Crue-esque Livin’ on the Streets and the catchy, classic rock sounding track, Dance With the Dead. On riffs, Bishop’s guitars sound crunchy and groovy. Listen for his unique signature guitar effects, notable on the opener, the grungy track Golden, and Holy Ghost, which features lots of cool, heavy changeups. Dizzy features slower, dirtier riffs and a quick Tom Morello style solo. Don’t miss Bishop’s extended solo on closer, Staring Straight Into the Sun, which also features a fast changeup and extended jam at the end.

Crobot formed in 2011

Dan Ryan joined in 2018 and recorded drums on Motherbrain and bassist, Tim Peugh, joined the band in 2021. Ryan’s drumming is rock solid, perfectly synced with Peugh’s growly bass tone. Listen for some tight transitions on Better Times, and don’t miss that super heavy, progressive ending on Without Wings. Hang on for the ride on headbangers like Into the Fire, Holy Ghost, which features some impressive drum fills, and Never Break Me, another attitude filled track which highlights Peugh’s awesome bass tone.

Feel this is available for streaming and digital download on Bandcamp for under $9. It’s also available on transparent red and multi-color splatter vinyl, as well as CD, on their merch page. Interact with the band on social media and check out their live dates for an incredibly energetic, action-packed live show. I got to see Crobot in January, 2014, at Club Fever in South Bend, IN, opening for The Sword and Clutch. I was completely blown away by their insane level of charisma and energy. I got to meet Yeagley at the merch table after the show for a quick chat. I was impressed with how much of an animal he was on stage and how chill, down to Earth, and generally kind he was as a human. If you get a chance to witness Crobot live, don’t pass the opportunity.

Tour Dates

Aug 19 Psycho Las Vegas – Las Vegas, NV

Dec 16 Royal Circus (Cirque Royal/Koninklijk Circus) – Brussels, Belgium

Dec 21 O2 Victoria Warehouse – Manchester, UK

Dec 22 O2 Academy Brixton – London, UK

Paradox Paradigm: The spacy new album by Space Druids

Paradox Paradigm was released on June 21, 2022

Space Druids is a space rock band based in York, UK. The seven-piece group produces a progressive style of vintage-sounding psychedelic rock, dripping with layers of spacy FX, along with catchy and thought provoking sci-fi lyrics. The band released their first full-length, Paradox Paradigm, in June. Naming themselves the next Hawkwind, their retro-style will certainly appeal to their fans, as well as those of Zeppelin, Pink Floyd, and even Sabbath, whose track Paranoid they covered in a very spacy way in 2019.

The 38 minute, nine track album is a follow-up to the group’s 2020 EP, Weird Tide, which featured female vocals by Nadezhda Rinkus. This time around, vocal duties are taken up by Danny Faulkner. Stylistically, Faulkner provides beautiful melodies, catchy harmonies, and lyrics that you’ll find yourself singing along to or humming later, like Hawkwind with a dash of Jim Morrison. Faulkner channels and gives voice to spacy lyrics written by Oz Hardwick, perhaps the most qualified lyricist to appear on this site. Hardwick is a published poet, author, and professor of English at Leeds Trinity University. His space-worship wordsmithing adds layers to the album, delving deep into interstellar-travel fantasies and philosophy, notably on the songs Astronomy and Afraid of Space. He also provides doses of satire and humor, as on the musical version of his published poem, Our Brand New Bodies, which effectively combines the languages of the golden age of sci-fi and advertising. Listen for Hardwick on the spoken voice portions of the album.

“We are the wanderers, who travel through time”

– Paradox PAradigm

The album features energetic and driving songs which have a tendency to explore extended spacy interludes, marinated in juicy layers of FX, keyboards, and instruments. The seamless quality of the song breaks also makes the album interesting, with many of the songs crossfading into the next. The bass has a great classic rock tone, often taking the lead throughout the album like on tracks Light Speed and Mutation Machine. The crisp-sounding, typically driving drum beats provide a solid pulse, occasionally providing some tricky cymbal work like on Mutation Machine, or some jazzy progressions like on closer, Paradox Paradigm.

1. Light Speed 04:53
2. Zygote 05:16
3. Astronomy 01:07
4. Afraid of Space 03:47
5. Mutation Machine 05:11
6. Stainless Steel Butterfly 05:49
7. Our Brand New Bodies 01:54
8. Trans-dimensional Highway 05:01
9. Paradox Paradigm 04:31

On the top end, listen for some funky, progressive guitar riffs and spacy solos, like on Trans-Dimensional Highway. The guitar is always at hand, delivering infectious hooks and interesting accents, soaked in ethereal reverb and FX. A standout on the album is the saxophone, constantly providing trippy solos and spacy layers to the tracks, notably on opener, Light Speed, and Zygote, which also features some chill Pink Floyd vibes. Listen for some spectacularly spacy and psychedelic sax and violin work on Trans-dimensional Highway. Also keep an ear our for some appealing flute parts and acoustic guitar work on Paradox Paradigm, as well some tasty synths on Stainless Steel Butterfly.

The album is available for NAME YOUR PRICE on Bandcamp. Currently the album is only available for streaming and digital download, though a physical CD release seems like a real possibility. Check out the album and follow the group on social media.

Sasquatch release heavy new album, Fever Fantasy

Fever Fantasy came out on June 3, 2022

Sasquatch is back with their sixth full length headbanger. The LA power trio released Fever Fantasy in June, and it is a heavy ride for all nine tracks. From epic opener, It Lies Beyond the Bay, Sasquatch are where they belong: in the driver’s seat with throttles wide open.

Craig Riggs, who joined the band for their previous album, Maneuvers, continues to provide a huge drum sound to back Keith Gibbs’s walls of fuzzy guitar riffs and Jason “Cas” Casanova’s growly bass tone. Gibbs also delivers plenty of catchy, attitude infused vocals, like on fifth track, Live Snakes.

1. It Lies Beyond The Bay 4:55
2. Lilac 4:14
3. Witch 4:43
4. Ivy 8:12
5. Live Snakes 4:03
6. Voyager 2:52
7. Part of Not Knowing 5:05
8. Save The Day, Ruin The Night 3:19
9. Cyclops 4:35

Sasquatch’s focus on emphasizing killer hooks is evident on high energy tracks like Lilac, and Save the Day, Ruin the Night. Listen for tight grooves and heavy buildups on Ivy. Some killer heavy blues riffs are released on Witch, Voyager, and Part of Not Knowing. On a few of the tracks, notably Witch and Ivy, tasty organ tones fill out the mix nicely.

On the back end, the album was recorded and mixed by Andrew Schneider who has been involved with the band’s production since II was released in 2006. Schneider has helped hone the band’s sound to it’s heaviest yet, with a raw, massive sound that easily translates to the stage. The cover artwork was created by Indonesia-based artist, Ian Permana, whose art, like a fever fantasy, beautifully blends fantasy and realism into something in between.

Clip of Voyager with full album-art visualization

If you’re into bands like Astroqueen, Nebula, Crobot, and Clutch, you’re going to dig Sasquatch. They’re hitting the road next month for an extensive tour which will cover North America, Canada, Europe, Australia, and New Zealand. The tour includes many of big rock festivals like Ripple Fest and Psycho Las Vegas. Find links to concerts and tickets on their website. Check them out on Bandcamp where you can order Fever Fantasy on vinyl or CD, browse tons of merch, and order back releases.

JUL 8 Mammothfest 2022 – Nea Karvali, Greece

JUL 15 Stoned From The Underground 2022 – Nöda, Germany

JUL 23 Ripplefest Texas – Austin, TX

JUL 25 Black Magic Social Club – Houston, TX

JUL 26 The Freetown Boom Boom Room – Lafayette, LA

JUL 27 Santos Bar – New Orleans, LA

JUL 28 Loosey’s – Gainesville, FL

JUL 29 Will’s Pub – Orlando, FL

JUL 30 The Wormhole Neighborhood Pub & Music Venue – Savannah, GA

JUL 31 Boggs Social & Supply – Atlanta, GA

AUG 2 TROLLEY PUB – Summerville, SC

AUG 3 Cafe 611 – Frederick, MD

AUG 4 Prost Bier and music hall – Griswold, CT

AUG 5 Saint Vitus Bar – New York, NY

AUG 6 The Middle East Restaurant and Nightclub – Cambridge, MA

AUG 7 The Piranha Bar – Montréal, QC

AUG 9 Brass Monkey – Nepean, ON

AUG 10 Hard Luck Bar – Toronto, ON

AUG 11 Westside Bowl – Youngstown, OH

AUG 12 Ace of Cups – Columbus, OH

AUG 13 Reggies Rock Club – Chicago, IL

AUG 14 Lyric Room – Green Bay, WI

AUG 15 7th Street Entry – Minneapolis, MN

AUG 16 Cosmic Eye Brewing – Lincoln, NE

AUG 17 Vultures – Colorado Springs, CO

AUG 18 Aces High Saloon – Salt Lake City, UT

AUG 19 Psycho Las Vegas Festival 2022 – Las Vegas, NV

AUG 20 Transplants Brewing Company – Palmdale, CA

AUG 21 Brick By Brick – San Diego, CA

SEP 1 VINNIES DIVE BAR – Southport, Australia

SEP 2 King Lear’s Throne – Fortitude Valley, Australia

SEP 3 The Vanguard – Newtown Nsw, Australia

SEP 4 The Baroque Room – Katoomba, Australia

SEP 7 La La La’s – Wollongong, Australia

SEP 8 The Basement Canberra – Belconnen, Australia

SEP 9 Singing Bird Studio – Frankston, Australia

SEP 10 Bendigo Hotel – Collingwood, Australia

SEP 11 ENIGMA BAR – Adelaide, Australia

SEP 15 Whammy Bar – Auckland, New Zealand

SEP 16 Valhalla – Wellington, New Zealand

SEP 17 12 Bar – Christchurch, New Zealand

Electric Mountain release high voltage desert rock album, Valley Giant

Valley Giant was released on May 27, 2022

The week, The Sonic Sofa travels to Mexico City for desert rock band Electric Mountain’s second full length release. The power trio burst onto the scene in 2013 with their classic rock influenced stoner rock sound, infused with plenty of high octane desert riffs. They put on a loud, headbanging show and have shared stages with Elder and Blackwater Holylight. Electric Mountain released their Self-Titled debut album in 2017. After a two-year hiatus, they’re back with their sophomore full length, Valley Giant, and it is well worth the wait.

Valley Giant was released in May on Electric Valley Records. It features beautiful extraterrestrial landscape art by Adam Burke of Nightjar Illustration. The album is nine tracks, clocking in at 46 minutes, though some streaming platforms include a tenth track, The Man. Throughout the record, the musicians blend a riffy blend of desert rock guitars and melodic vocals with a growly, driving rhythm section. What makes the album awesome are all of the extended, stoner rock turnarounds and classic rock breaks. It opens with short, heavy-blues intro, The Great Hall, and is a non-stop action ride until the lengthy and spacy closer, A Thousand Miles High. Filled with headbangers from start to finish, the album only slows down for a slight breather on the acoustic, At Last Everything, which also features some tasty vocal harmonies and hand percussion.

Electric Mountain formed in 2013

1. The Great Hall (Intro) 2:38
2. Outlanders 3:53
3. Morning Grace 5:14
4. Void 4:09
5. A Fistful of Grass 6:32
6. Desert Ride 5:00
7. Vulgar Planet 5:09
8. At Last Everything 4:31
9. A Thousand Miles High 8:41

Guitarist/vocalist Gibran Pérez pumps out the jams with fuzzy, heavy-blues riffs, and scorching solos infused with plenty of wah-pedal and phaser, and caps it off with clean, melodic vocals, that I felt like were reminiscent of early Sabbath, and possibly even Corrosion of Conformity. Drummer Max Cabrera keeps things solid and driving with some absolute balls to the walls drum beats and fills. Listen to the end of Outlanders for some Bonham-esque fills, and check out Desert Ride for some driving, desert rock drum-power. Jorge Trejo’s bass tone really stands out on the album, with a beefy tone, often spaced out with heavy wah-pedal action. Check out Morning Grace for a fat, fuzzed out bass tone, and listen for some compelling leads during on A Thousand Miles High.

You can find Valley Giant on Bandcamp. The digital album can be downloaded for $7. It is also available on CD for $7.50 as well as beautiful transparent purple or plain black vinyl for $23. Check out Electric Mountain’s social media for news and announcements.

Sageness delivers third full length, Tr3s

Tr3s was released on May 15, 2022

Sageness is an instrumental psychedelic rock band from León, Spain. The power trio treats their music with an infusion of post-rock and shoegaze guitar work, and live recording in the studio gives them a fresh, raw sound. The group has just released their third album, the aptly titled Tr3s. It’s a mature, well-developed follow-up to 2019’s Akmé (Full review here) and their Self-titled album from 2017.

1. The Effect of Colours 9:45
2. Greenhouse 8:04
3. Spirit Machine 6:16
4. Event horizon 12:22

Tr3s is composed of four tracks, clocking in at 37 minutes. Throughout the album, muscular riffs and sensual guitar textures, infused with plenty of wah-pedal and shoe-gaze FX, are underscored by a crisp, clean bass sound, and solid drum patterns. Subtle, spacy synth sounds add to the atmosphere. The album is a further testament to Sageness’s skill as a well-rehearsed jam band. The long, creative arrangements at times remind me of Elder, in the vein of their instrumental album, The Gold & Silver Sessions, but with more of the muscle of Dead Roots Stirring. Whether you’re on a road trip or sonic tripping on the sofa, Tr3s is an ideal soundtrack. It’s got plenty of headbanging as well as spacy post-rock introspection.

You can find Sageness on Bandcamp. The digital album is available for download for $7. Tr3s is also on CD for $9 or vinyl for $25. Ceck out the band’s social media and merch pages for vinyl/t-shirt bundle deals, and don’t forget to check out the music videos for The Effect of Colours and Spirit Machine.

The Dry Mouths release new psych album, Thödol

Thödol was released on May 13, 2022

The Dry Mouths are a psychedelic instrumental power trio from Almería, Spain. The band specializes in creating sonic landscapes of hypnotic, psychedelic soundwaves, laced with occasional heavy stoner rock sections. Active since 2006, the group has six full length records, with the release of 2022’s Thödol.

Released in May, Thödol is inspired by the Tibetan Book of the Dead. The band elaborates on their interpretations with 10 tracks, ranging from two-seven minutes. According to a statement from the band, “The album is a work of fantasy and extra-sensory experiences, of life and death, of both peaceful and dark visions, of self knowledge and of the fight against the fears that our own minds create. The album is a mental journey in which consciousness separates from the physical body and tries to gain enlightenment and ascend above, through the act of listening.” For the best effect, Thödol should be listened to start to finish, as a single composition, to fully induce the trance.

1. Den-Dro Sum 3:40
2. Hinayana 6:29
3. Kyenay 4:26
4. Milam 2:49
5. Dhyana 3:34
6. Ngen-Dro Sum 5:20
7. Chikhai 3:40
8. Dharmata 5:37
9. Zhi Tros Lha 7:10
10. Chönyid 2:01

Opener Den-Dro Sum sets the mood for the first three quarters of the album with soothing guitar leads that more than take the place of vocals. It’s easy to get lost in the hypnotic drum patterns. Hinayana introduces a fat bass tone, bordering on dub, and listen for some creative percussion throughout and a kettle drum sound at the end. Kyenay features a groovy rhythm section and some cool post-rock guitar leads, while Milam has some creative Middle-Eastern sounding guitar that gave me Babylon Tree vibes. The ethnic sounding drumming and sitar on Dhyana made it a stand out track for me. Another stand out was Ngen-Dro Sum, which changed things up with one of the heaviest riffs on the album. The last four tracks of the album mostly replace the guitar melodies with spacy synth layers. Chikhai features a chill transition with layers of keyboard tones building up throughout. The heavy synth tone on Dharmata gave me some low-key Dimetrodon vibes. Listen on Zhi Tros Lha for a spacier synth sound and groovy, fx-heavy bass tone, while Chönyid closes out the album in a satisfying, low-key way.

The record, a follow-up to 2019’s Lo-Fi Sounds for Hi-Fi People, was recorded at Desert City Studio between October, 2020 and June, 2021. The artwork was disigned and created by Iván Carreño. It can be downloaded on Bandcamp for under $7. The vinyl record, co-released by Spinda Records, Aneurisma Records, Violence In The Veins, Discos Macarras, Zona Rock Productions, Bandera Records, Quebranta Records and Odio Sonoro, can be ordered for $20. Check out the band’s merch page for current and back releases and find the band on social media.

Blue Heron set to release debut album, Ephemeral

Ephemeral will be released on May 27th

Blue Heron is a four-piece desert rock band from Albuquerque, NM. Their debut album, Ephemeral, will be released in late May. The group deals out a psychedelic mix of grungy heavy metal, with strong desert rock vibes and rhythms.

Ephemeral, featuring beautiful artwork by Mirko Gastow, is set for a May 27th release. The eight track album clocks in at a very listenable 47 minutes. It’s heavy from start to finish, with the exception of a few quiet interlude tracks that give short breathers between headbanging and breakdowns.

1. Futurola 5:22
2. Sayonara 13:20
3. Push the Sky 4:39
4. Infiniton Field 2:20
5. The Buck 6:19
6. Black Blood of the Earth 7:14
7. Where One Went Together 2:02
8. Salvage 5:53

Futurola music video by Dedisuseno

There’s plenty of driving, desert rock guitar, like on opener, Futurola, and even some High on Fire flavored riffage, like on Black Blood of the Earth, which also features a heavy, Sabbath-worship ending. Keep your ear out for plenty of spacy guitar solos, especially on the epic, 13 minute track, Sayonara, and even some reflective acoustic work on interlude track, Infiniton Field. Fans of Kal-El and Dozer will aprove.

The bass is impressive, with a full, in your face sound. It creates a solid, rhythmic counterpart for the drums, often taking the lead when the guitars are spacing out. Fans of Kyuss and Clutch will appreciate the complexity and driving rhythm. Check out Sayonara and The Buck for excellent examples of the growly bass tones and competent leads.

The drums are solid and driving throughout, featuring bluesy patterns and plenty of heavy breakdowns. There’s plenty of tasty tom work and cymbal accents, notable on Push the Sky, and a crisp sound shines through on closer, Salvage. Black Blood of the Earth has a definite stoner metal drumming sound, which fans of High on Fire and The Sword will appreciate, and don’t miss the shuffle pattern for the heavy blues ending.

The vocals are unique and diverse. Most of the album features melodic vocals with a throaty, aggressive delivery. Several of the tracks, including Sayonara and Push the Sky, have some edgy hardcore vocals at the end. Fans of John Garcia, Neil Fallon, and Matt Pike won’t be disappointed. Lyrical content ranges from mortality and the fleeting nature of existence to mythic fables about deposed gods and failed civilizations.

The album will be released by Kosmik Artifactz and Seeing Red Records. You can find the band on social media. Pre-order the digital album on Bandcamp for $6 or vinyl for $25, with supplies shipping on May 30th. Check out the merch page for bundle deals on their album and Black Blood of the Earth/A Sunken Place EP from 2021. Also, check out the music videos for Futurola and Push the Sky. Definitely keep an ear out for more from Blue Heron.

The Singularity: New album by Wo Fat

The Singularity was released on May 6, 2022

Wo Fat’s brand of heavy blues is guaranteed to blow your mind with their progressive style and spacy jam sessions. They set themselves apart from typical bands of the genre with their unique blend of groovy Texas stoner rock. Now, the power trio from Dallas is back with The Singularity, their seventh studio album, released through Ripple Music.

The band’s first full length studio album in five years, The Singularity is a worthy follow-up to 2016’s Midnight Cometh. It features gnarly cover art by Eli Quinn and is composed of seven tracks, clocking in at a beefy 75 minutes. Like the structure of most of their past work, the tracks are more like two songs in one. They usually open with a heavy, blues-based stoner rock song, before proceeding to melt faces with dynamic, progressive jams for the last half, with tons of heavy changeups, melodic sci-fi lyrics, fluid drum work, jazzy infusions, stoner rock turnarounds, and soaring guitar solos.

1. Orphans of the Singe 13:54
2. The Snows of Banquo IV 8:25
3. Overworlder 11:54
4. The Unraveling 7:42
5. The Witching Chamber 9:25
6. The Singularity 7:46
7. The Oracle 16:32

Personnel (Left to Right): Zack Busby (Bass), Michael Walter (Drums), Kent Stump (Guitar/Vox)

From start to finish, the album is an absolute head banger. Kent Stump provides muscular guitar riffs and, like Tim Sult of Clutch, knows his way around a wah-pedal. His heavy blues and progressive style at times remind me of Droids Attack, or possibly even early Galactic Cowboys. Stump’s vocals are aggressive and melodic, with occasional harmonies. On bass, Zack Busby keeps things solid with a beefy bass tone that is perfectly locked on to the drum work, while creating an incredibly perceptive compliment to the guitar riffs, and like Geezer Butler, isn’t afraid to explore the fretboard. Michael Walter provides a huge, driving drum sound with a fluid complexity that dances between time signatures and explores every aspect of the riff.

You can find all of Wo Fat’s releases, including splits and live albums, on Bandcamp. Their entire discography is available for digital download for under $54. The Singularity is available on CD and digital download for $10. The album is also available on color-splat or black double vinyl, though copies are sold out as of this writing. Check out their merch page for tons of cool t-shirts as well as copies of back albums.

Dhidalah takes us back to space with new album, Sensoria 認識

Sensoria was released on April 22, 2022

Dhidalah is a space rock power trio from Tokyo, Japan. Well schooled in the concept of sonic space travel, their jam oriented music has been taking us to the outer realms of psychedelic rock since 2013. The band released several independent recordings and EPs before signing with Guruguru Brain. Since then, they’ve released full lengths No Water in 2017 and Threshold in 2019. Their latest release, Sensoria, was released online in April, with vinyl pre-orders shipping this fall.

Sensoria is a four track album, clocking in at a modest 38 minutes. To create new material, the band members explore ideas during weekly jam sessions, which they then contemplate upon and hone throughout the week for the next session. Two tracks from the album, Soma and Black Shrine, were created through these sessions, while the other two tracks, Invader Summer and DEAD, are credited to guitarist Ikuma Kawabe, of Church of Misery fame. The tracks were recorded and mastered by Ryuhi Inari of Void)))Lab and mixed by Hideki Urawa. The album features cover artwork by D.Norsen.

1. Soma 9:07
2. Invader Summer 6:00
3. DEAD 3:03
4. Black Shrine 20:01

Dhidalah is Ikuma Kawabe (guitars), Kazuhira Gotoh (bass, vocals, noise FX), and Masahito Goda (drums)

The short full length packs a hard psychedelic punch that sounds both raw and organic, but with the seasoned tightness of a touring jam band. You’ll want to wear headphones to absorb the full mind-warping impact of the sonic trip. Listen for phaser and wah-pedal infused layers of guitars throughout, notable on Soma and Invader Summer. The fast pace of many of their tracks reminds me of King Gizzard’s jammiest stuff. A tight and tonal drum sound lays down a solid base groove throughout the album, and listen for some creative hand percussion interplay with the acoustic guitar on the slower and quieter, DEAD. Black Shrine, the incredible 20 minute closer, inspired by the Yokai of Japanese folklore (I fully support following this link and tripping out on these entities while you listen), features a meaty bass tone, possibly reminiscent of OM’s phased out drum sound. Melodic vocals, sparse and drenched in otherworldly reverb and delay, as well as sci-fi noise FX, add to the spacy atmosphere of the album.

You can find the digital album for under $8 on Bandcamp, where you can also preorder the vinyl for under $30. Keep in mind, records will not ship until August outside of the US, and until September for the US. Also, check out the band’s social media where you can find t-shirts, tote bags, and other merch.

Tour Dates

May 19 Sebright Arms – London, UK

May 20 The Crofters Rights – Bristol, UK

May 22 Hare and Hounds – Birmingham, UK

May 23 The Hope and Ruin – Brighton, UK

May 24 Supersonic – Paris, France

May 25 Trefpunt Concertzaal – Ghent, Belgium

May 26 Arena Berlin – Berlin, Germany

May 26 Ilses Erika – Leipzig, Germany

Somali Yacht Club release new album, The Space

The Space was released on April 22, 2022

Somali Yacht Club is a psychedelic stoner rock trio from Lviv, Ukraine. The group formed in 2010 and have four full lengths under their belt with the release of 2022’s The Space. The group is known for their psychedelic music, infused with elements of shoe gaze and early grunge.

The Space, is their debut album on Season of Mist Records. It contains six tracks, with 45 minutes of some of the most dynamic and atmospheric stoner rock available. It has a huge drum sound, melodic vocals, and walls of guitar tones that undulate and build with plenty of heavy changeups. The beautiful cover art was provided by renowned Ukrainian artist, Dasha Pliska, whose art has been featured in Dash and Flaunt.

Silver and Gold, two of the shortest tracks on the album, really bring the shoe gaze element, with their atmospheric psychedelia and melodramatic vocals, even offering a little Deftones flavor at times. Look for a full, heavy sound on Pulsar and Alice in Chains style harmonies on Echo of Direction. Obscurum’s progressive intro and and creative chord progressions recall the best of Weedpecker and perhaps even early King’s X. Album closer Momentum ends the album beautifully, and in a very heavy way.

1. Silver 5:16

2. Pulsar 9:07

3. Obscurum 5:06

4. Echo of Direction 9:45

5. Gold 3:32

6. Momentum 12:30

You can find the The Space on Bandcamp. Their album is currently available on digital release, CD, and vinyl. Also, check out their merch page where you can find past releases and t-shirts. Amidst the ongoing military conflict in Ukraine, the band has pledged to donate all profits made in 2022 to various charities to help their home country.

Tour Dates

May 27 Indian Ocean Hotel – Scarborough, Western Australia

Jun 10 Evelyn Hotel – Fitzroy, Victoria, Australia