Bongoloid is the cannabinoisy doom metal project of Franciso Calvinho, a multi-instrumentalist based in Rafaela, Argentina. His exploratory and experimental debut EP, Demonic Bongolic Cannabinoise, was released in December. It’s like a bowl fully packed with stoner doom riffs and weedy lyrics. If cannabis infused vocals, trance-inducing rhythms, and chunky doom tones are your bread and cannabutter, you’ll dig Bongoloid.
By The Lighter And The Bowl 06:37
The Altar Of The God Of Bong 3:15
The Color Of Ashes 06:24
Smoke & Mirrors 04:07
The guitars are thickly layered, providing thick walls of trance-inducing riffs and feedback infused leads, like on opener, By the Lighter and the Bowl. Frequent coughing and sustained bong hits are employed throughout the EP and used like additional instruments. The words are primarily cannabis oriented, as indicated by the song titles, and the smoky lyrics are delivered yell style, like early Elder, with occasional hardcore vocals like on the “creepy” The Color of Ashes. On the bottom line, Francisco lays down unique pattern-oriented beats, soaked in dubby reverb, paired with a thick, doomy bass tone, notable on The Altar of the God of Bong and instrumental closer, Smoke & Mirrors. The EP features trippy art provided by Tercer Ojo Disenio. It’s available on Bandcamp for $3.
After four years, The Sonic Sofa remains in low-earth orbit, its continuing mission to explore strange new sounds. To seek out new bands and heavy stoner rock riffs. To boldly go where no sofa has gone before! 2022 saw the addition of the Facebook page, so follow us to get all of the music reviews, memes, and Friday riffage posts. The page could seriously use more activity, so leave a comment to give us a boost!
Also this year, The Sonic Sofa was magically reupholstered with some spacy new artwork (pictured below) by legendary stoner rock artist, Steven Yoyada. Stay tuned in 2023 for more heaviness on The Sonic Sofa, as well as new artist collaborations. We’ve got some awesome surprises and giveaways, like the brand new Sonic Sofa weed grinders, so keep your eyes out for a chance to win these and more sweet stuff!
2022 was a major year for stoner and psychedelic rock, with new releases by some of the biggest names in the game like Clutch, Elder, Colour Haze, Conan, Sasquatch, and Wo Fat. There were debuts by heavy newcomers such as Realm Drifter, Blue Heron, and Sons of Arrakis. We also had some awesome crossover projects like Bog Wizard and Frog Lord’s split record, A Frog in the Bog, and an amazing solo debut by Matt Pike. In this article, I’ve recapped all of 2022, with links to the full articles and players for the songs. Read on, and find some new jams!
In March, the Sonic Sofa featured Pike Vs. the Automaton. Matt Pike’s solo album took the stoner world by storm with a diverse blend of heavy metal, thrash, punk, and even some twangy blues. Falling somewhere between the riffy thrash of High on Fire and the stoner-doom of Sleep, Pike gave in fully to his musical instincts in glorious garage band style, riffing his way through an assemblage of songs guaranteed to induce head-banging and disgust with authority.
Also in March, we featured Humanotone’s new release, A Flourishing Fall in a Grain of Sand. The brain child of talented multi-instrumentalist, Jorge Cist, his sophomore release is a progressive dose of muscular stoner rock and heavy psych, on six richly layered compositions. Much like Elder or King Buffalo’s work, Flourishing Fall flows seamlessly from riff to riff like crashing waves or thunder on mountain peaks.
In April, Michigan’s Bog Wizard and UK’s Frog Lord collaborated to release A Frog in the Bog, one of the goofiest and coolest releases of 2022, with it’s dope D&D style and 8-Bit artwork. The two stoner doom bands came together from across the Atlantic expanse to document the meeting of the reclusive Bog Wizard and the god-like Frog Lord, resulting in magical, smoky encounters in the depths of the bog.
April also saw the release of Somali Yacht Club’s new album, The Space, featuring 45 minutes of some of the most dynamic and atmospheric stoner rock available. It has a huge drum sound, melodic vocals, and walls of guitar tones that undulate and build with plenty of heavy changeups. Check for ways to support the Ukrainian band as they have been uniquely affected by the war.
May was a big month on The Sonic Sofa, when we featured five brand new album reviews. First we showcased the new space rock album by Dhidalah. Well schooled in the art of sonic space travel, the Japanese group released their four track, 38 minute album Sensoria. Recorded live in the studio, the record packs a hard, psychedelic punch, sounding raw and organic but with the seasoned tightness of a touring jam band.
Wo Fat sets themselves apart from typical bands of the genre with their unique blend of groovy, Texas stoner rock. Their tracks usually open with a heavy, blues-based stoner rock song, before proceeding to melt faces with dynamic, progressive jams for the last half, with tons of heavy changeups, melodic sci-fi lyrics, fluid drum work, jazzy infusions, stoner rock turnarounds, and soaring guitar solos. Wo Fat released their seventh album, The Singularity, a serious headbanger, in May.
May also featured the debut release by Blue Heron. The stoner rock band hails from Albuquerque, NM and deals out a psychedelic mix of grungy heavy metal, with strong desert rock vibes and rhythms. Their album, Ephemeral, is heavy from start to finish, with the exception of a few quiet interlude tracks that give short breathers between the headbanging and breakdown action.
Also in May, we witnessed the sixth release by Spanish psych rockers, The Dry Mouths. Their new album, Thödol, features 10 spacy and trippy tracks, inspired by the Tibetan Book of the Dead and ideally suited for sonically astral projecting. The instrumental band specializes in creating audio landscapes of hypnotic soundwaves with diverse instruments and laced with occasional heavy psych rock sections.
Again in May, we featured another instrumental album by another Spanish psychedelic band, Sageness. What’s in the water over there? The power trio treats their music with an infusion of post-rock and shoegaze guitar work, with live recording in the studio. Their third album, Tr3s, features muscular riffs and sensual guitar textures, infused with plenty of wah-pedal and FX, underscored by a crisp, clean bass sound, and solid drum patterns.
In June, Electric Mountain released their sophomore album, Valley Giant. The stoner rock power trio from Mexico burst onto the scene in 2013 with their classic rock influenced stoner rock sound, fuel injected with plenty of high octane desert riffs. What makes the album so awesome are all of the extended, stoner rock turnarounds and classic rock breaks.
Sasquatch gave birth to their sixth headbanging album, Fever Fantasy, in June. It’s a heavy ride for all nine tracks. The group’s focus on emphasizing killer hooks is evident throughout the album. The album features walls of fuzzy riffs, a growly bass tone, a huge drum sound, and plenty of attitude filled vocals.
Also in June, we witnessed the release of the mysterious Space Druids’ debut full length, Paradox Paradigm. The seven-piece group based in the UK, produces a progressive style of vintage-sounding psychedelic rock, dripping with layers of spacy FX, along with catchy and thought provoking sci-fi lyrics and poetry. The self described “next Hawkwind,” Space Druids will also appeal to fans of The Doors, and Floyd.
Stoner rock, glam, dirty grooves, heavy riffs, grungy action, attitude: Crobot. The four-piece group from Pottsville, PA has been violently administering heavy grooves since inception, and returned in July with their 5th offering, Feel This. The album delivers in classic Crobot style, with riffs and high-flying vocals on 12 heavy, headbanger tracks.
July also bludgeoned our ear holes with the long awaited sophomore album by Iowa stoner duo, Telekinetic Yeti. Primordial was the second album we’d all hoped for: progressive doom metal action from start to finish with chuggy riffs, crazy drums, awesome vocals, and some dope weed references to boot.
In August, we featured the debut self-title album by Realm Drifter, a four-piece stoner-doom band from Fort Worth, TX. The five song album clocks in at a beefy 44 minutes. Check it out for a slow and heavy metal sound, with groovy riffs, a thick, gnarly bass tone, edgy, melodic vocals, and a bluesy, heavy drum sound.
August also revealed the debut release of Sons of Arrakis, a stoner rock band heavily influenced by one of my favorite scifi authors, Frank Herbert. The Canadian band delivered their self-titled album, filled with massive doses of seriously groovy riff rock and Dune lyrics. If heavy stoner rock and sci-fi of any kind is your thing, you’ll enjoy rocking out to Sons of Arrakis.
In September, UK stoner doom band, Conan, released their 5th skull-splitting album, Evidence of Immortality. It’s a continual heavy barrage of “caveman battle doom.” Down-tuned to the extreme and amplified as loudly as possible, the riffage, thunderous rhythm section, and tortured sounding vocals conjure images of blood-soaked battlefields and cosmic monsters.
On a much lighter and more melodic note, Colour Haze released their 14th full length, Sacred, in September. One of the most influential German stoner rock groups active today, they produce a detailed audio-scape of psychedelic music. The songs are filled with progressive drumming and riffs, soothing and spacy keyboard tones, incredibly catchy guitar hooks, and positive, melodic vocals.
Rarely do bands stand the test of time, especially with the original lineup of studio members, but Maryland’s Clutch has done so for almost 30 years. They’ve also established themselves as one of the hardest working bands, with massive tour schedules. In October, we featured the release of Clutch’s 13th album, the highly anticipatedSunrise on Slaughter Beach. The album is Clutch’s grooviest, most ambitious and diverse album in recent years.
We also featured Oh Death, the fourth album by the mysterious and ritualistic psych rockers, Goat. The collective from Sweden is known for their trance-inducing repetition and thick, 70’s style groove, with intriguing layers of diverse instrumentation, and captivating twin melodies.
In November, The Sonic Sofa featured Hallucinate Your Faith, the second heavy psych album by Nova Koloso. The Maryland rockers produce a fast paced blend of progressive psych rock, with plenty of jamming and layering of all kinds of groovy guitar sounds and catchy keyboard tones, topped off with grungy vocals.
In December, Elder released Innate Passage, their highly anticipated new full-length. Over the course of their career, the band has crafted a heavy, progressive, psychedelic, genre-bending sound. Calling the album anything other than ambitiously grandiose and epic would be a huge understatement.
And now, for the Sonic Sofa’s top picks of 2022! Our choice for debut album of the year goes to Sons of Arrakis with their self-titled album. Heavy metal album of the year goes to Matt Pike’s solo album, Pike Vs. the Automaton. The choice for best heavy psychedelic album of 2022 is Innate Passage by Elder. Best instrumental album of the year goes to Tr3s by Sageness. Our choice for stoner rock album of 2022 goes to Telekinetic Yeti’s Primordial.
Thanks for reading The Sonic Sofa. Onward and upward in 2023! Be peaceful to each other and rock on, Sofanauts.
Elder is a four-piece heavy psych band based in Berlin, Germany. Originally from Boston, Mass, the band was formed by founding guitarist and vocalist, Nick DiSalvo and bassist Jack Donovan. The current lineup includes Mike Risberg on guitars and keys and Georg Edert on drums. Since their formation in 2006, the band has been continuously evolving, adding new elements to their sound. What started as primarily a Sleep-worshipping stoner rock band has significantly grown and developed over the last decade and a half. Through the course of their career, collaborating with other bands, touring the world, and continually experimenting and adding musical elements, the band has crafted a progressive, psychedelic, genre-bending sound that is always recognizable as Elder.
The band released Innate Passageon November 25. It follows 2021’s Eldovar, a collaboration with Kadavar, and their 2020 full length, Omens. Innate Passage clocks in at 54 minutes with 5 tracks. The album was recorded and mixed by Linda Dag at Clouds Hill Studio in Hamburg and mastered by Carl Saff. The intriguing artwork was produced by Adrian Dexter, a legend in the stoner rock art community who has produced all of Elder’s album art.
Calling the album anything other than ambitiously grandiose and epic would be a huge understatement. The songs are long, with each song hovering around the 10 minute mark or more, and each track is like a tapestry or a painting, continually revealing layer after psychedelic layer as it unfolds. The songs tend to be elaborately constructed and unpredictable in their arrangement, but the flow and catchiness of the tracks will draw you in. It may sound oxy-moronic, but this is exactly the type of heavy music you could equally head bang or fall asleep to, both energetic and relaxing.
1. Catastasis 10:50 2. Endless Return 9:54 3. Coalescence 9:47 4. Merged In Dreams – Ne Plus Ultra 14:43 5. The Purpose 8:37
Elder’s trademark harmonies are ever present in Disalvo’s endlessly creative chord progressions and soaring guitar leads. Listen to the opener, Catastasis, for some awesome chord progressions and some incredibly fretboard-sweeping patterns on Endless Return. His vocal style is strong, with well-delivered melodies and occasional harmonies like on the opening track. The lyrics on Innate Passage are abstract, with poetic, philosophical observations and societal commentary, in the tradition of past albums.
Risberg’s guitars and diverse keys on the album are huge, adding beautifully to the sonic richness and dreamy nature of the album’s well produced sound. Check out Endless Return and Merged in Dreams for some awesome dual guitar leads. The keys tones run the gamut, with orchestrated sounds on Catastasis, spacy sounds on Endless Return, synths on Coalescence, with plenty of psychedelic tones in between. Listen closely to The Purpose to hear Risberg’s spacy keyboard interplay with Donovan’s absolutely heavy bass line.
Underneath it all, Donavan and Edert hold things in the pocket with a tight and driving rhythm section. Donavan’s bass tone is thick and beefy on Coalescence, which also features some tricky time signature work reminiscent of Rush in their heyday. Edert drums with the utmost complexity and flow but without being flashy or standing out. The album merits relistens just to try and figure out some of his timing on tracks like Coalescence. There’s plenty to explore in the band’s tight and complex song structures, especially on the nearly 15 minute Merged in Dreams, with trippy keys and guitars that build to possibly the heaviest ending on the album.