Check out the Sonic Sofa on Soundcloud and thesonicsofa.blog and Twitter. Please support the bands by buying their music and merch. If you have music, a band, or an original music review that you think should be featured on the blog or podcast, contact The Purlenaut at email@example.com. Go in peace and rock on, Sofanauts.
The Lancasters are a psychedelic rock trio from Brescia, Italy. They just released their debut, The Lancasters, on November 1st. The self-titled album was independently released and is being promoted by Fuzzy Cracklins Presents while the band looks for the right label to release their work on vinyl. The album was recorded to tape and professionally mixed and mastered, giving it a warm, vintage sound. The album is smooth and groovy, evincing the sound of bands like Led Zeppelin and the lyrical sensibilities of groups like The Beatles.
1. Howitzer 3:04 2. Sharp 683 4:09 3. Get a Good Lawyer 3:00 4. Mata Hari 6:40 5. Powder 4:59 6. Stellar 3:07 7. Reflectors 5:00 8. Northern Road 3:49 9. Sweet Cross 4:13
The nine tracks on the album cover a dynamic range of sounds and styles that flow over you like a warm, fuzzy blanket. Tracks like Mata Hari, Sharp 683, Stellar, and Reflectors rest in a pocket of psychedelic electric rock filled with catchy guitar hooks and vocal melodies. The band explores a softer acoustic side on Get a Good Lawyer and Northern Road, while Powder takes the band into the riffy realm of heavy blues with its thick bass and chunky guitars. In addition to the album, don’t miss the trippy music videos for the tracks Howitzer and Stellar.
The Lancasters is available on CD and digital download on Bandcamp. You can also stream the album on Spotify. Make sure to check out the band on Instagram, as well as YouTube. For a whole lot more great music on Bandcamp, check out Fuzzy Cracklins. As always, thanks for reading The Sonic Sofa. Go in peace and rock on, Sofanauts.
Pseudo Mind Hive is a psychedelic stoner rock band from Melbourne, Australia. They formed in 2007. The five member band is made up of Jack Ainsworth on bass, Samuel Drew-Rumoro on drums, Christopher Hockey on guitar, Mark Vincini on guitar, and new member Jess Joannou on organ and synths. All members contribute vocals. They just released their second full length, Of Seers and Sirens, a followup to their debut album, From Elsewhere, which was released in 2018. The band is signed to Salty Dog Records, a label based in Brunswick East, Australia.
“rounds of progressive patterns and guitar leads”
Though the definition varies according to who you ask, most will agree that stoner rock requires a few basic ingredients: fuzzy, overdriven guitars with heavy riffs, thunderous drums and crashing cymbals, a fat bass sound, rounds of progressive patterns and guitar leads, complex turnarounds and changeups, psychedelic lyrics, and it doesn’t hurt if your vocalist sounds just a little bit like Ozzy. Throw in a some spacey synthesizers and grinding organs for good measure and Pseudo Mind Hive checks all of these marks, cementing themselves firmly in the scene with their brand of heavy, psychedelic stoner rock. If you enjoy bands like Elder or Howling Giant, you’re going to dig Pseudo Mind Hive.
Of Seers and Sirenswas released on October 25, 2019. It’s a heavy concept album filled with psychedelic textures, mythical lyrics, complex, progressive arrangements, and hypnotic dynamics. It’s also not afraid of being solely instrumental as shown on the heavy bonus track, Solstice. The album has a mythical, Homeric vibe and many of the songs reference ocean voyages and adventures, such as the mention of sirens on the title track. There’s also a tip of the hat to the famous scientist in the sprawling epic track, Gaze of Ptolemy. The artwork by Max Loeffler, famed for his work with Elder, is also very Greek in style and seems to reference Odysseus and his journeys.
1. Sails At Dawn 4:14 2. The Dreamer’s Burning Door 4:25 3. Of Seers & Sirens 6:36 4. Solstice “Bonus Track” 5:51 5. Gaze Of Ptolemy 9:16 6. Equinox 8:13 7. Broken Colours 8:09
In a statement provided by the band, the story concept of the album is as follows, “In short, Of Seers and Sirens loosely follows the journey of an explorer who is lost at sea and, due to forces that are ambiguous in their nature as either supernatural or hallucinatory, finds himself amongst scenes and figures from various mythologies and points in human history. However, each song is hoped to conjour many and varied interpretations and meanings to each individual listener.”
Check out the album on Bandcamp where you can download the digital album for $7 Australian, or roughly $4.25 U.S. The record is available for sale on Salty Dog’s Website. You can also check out Pseudo Mind Hive on Facebook and Instagram, and they can be contacted at firstname.lastname@example.org. Thanks for reading The Sonic Sofa. Go in peace and rock on, Sofanauts.
The Gig Experiment is a three piece rock band from São Bernardo Do Campo, Brazil. The band is made up of Matheus Longhi on guitar, Marcus Moraes on bass and Demian Meneses on drums. They produce a surfy blend of instrumental heavy-psychedelic music with stoner-rock influences. Imagine the surfy flow of bands like Satan’s Pilgrims or Snake Mountain Revival, mixed with a light dose of the heavy riffage of Black Sabbath, and you get the idea.
Their new EP, Shark Attack, was released on October 29 and follows a live album called 220V Ao Vivo which is available to listen to in full by following this link to YouTube. With just three tracks on their new EP, Shark Attack is a short but very sweet ride. The guitar, bass, and drums sound raw, stripped down, and dialed in to deliver the grooves for the entire 10 minutes of the EP. It’s available for digital download on Bandcamp.
The first two tracks, Shark Attack and Poucas Ideia, are driving, wah pedal drenched barrel rides. The bass sounds thick and does several octave drops at key moments in the songs that really add to the beefiness. The drums have depth and come through really well in the mix with crashing cymbals and a full snare sound.
The third track, Três, dramatically slows the tempo and adds a vocal melody to the intro. The fuzzy, overdriven guitar really kicks in as well, adding some muscle to the song, hence the Black Sabbath comparison. A nice melodic guitar lead takes over for the vocal melody, and an upbeat outro finishes up the song.
All in all, it’s a very upbeat, catchy EP with some heavy moments. Unfortunately, the EP is very short, but it is definitely worth a listen. Keep an eye out for The Gig Experiment as their future releases should be promising. Make sure to check them out on Bandcamp. Also, find the band on YouTube, Facebook, and Instagram. Thank for reading The Sonic Sofa. Go in peace and rock on, Sofanauts.
Write about the band: Dimetrodon is a three piece instrumental rock band from Austin, Texas. Their music is a progressive blend of synthy heavy psych and stoner rock. The members of the band are Jim Lecheler on bass, Ian McKinney on synths and guitar, and Rene Moncivais on drums. Their debut album, II, was released on October 11, 2019.
According to a statement by the band, “The 12 instrumental tracks of Dimetrodon’s *II* loosely follow the story of a savage barbarian as he faces off against a wizard and his monster friends in the windswept deserts of Mars. Drawing from stoner, prog, proto-metal, krautrock, and other influences, *II* is a window into of the mind of a boomer dad describing the airbrushing on the cargo van he had back when he was your age.” The album has no lyrics, but the full-blooded song titles like are enough to put an interesting picture in your mind and the music itself will take you there. There are really heavy songs like Dragonslayer, Antimagic Field, and Bonestorm, but there are also plenty of of reflective, softer tracks like Ogre Horde and The Druid’s Funeral. The album is a virtual kaleidoscope of psychedelic sound textures, running the gamut from chunky stoner rock riffs to dreamy psychedelic synth tones.
1. Dragon’s Lair 1:57 2. Dragonslayer 4:14 3. Antimagic Field 6:18 4. Ogre Horde 5:03 5. The Druid’s Funeral 3:16 6. Finger of Death 4:30 7. Hobgoblin 2:37 8. Stalactites 2:32 9. ☠️Bonestorm☠️ 2:40 10. Dispel Evil and Good 2:19 11. Sunbeam 2:13 12. Grimlock 2:52
The whole album sounds like something that could have been produced in a garage in the 70’s. You can hear early doom influences from Black Sabbath and Electric Wizard as well as krautrock such as Neu! and Amon Duul II. You can also hear healthy doses of modern psych as well as synth-forward film score influence peppered into the mixture. Whether you’re you’re perusing Frank Frazetta paintings, playing Dungeons and Dragons, or just putting on music for a spacey drive in the car, Dimetrodon makes a great soundtrack. Purchase a digital download of the album today on Bandcamp for $7. Also, make sure to check out the band on Facebook and Instagram. As always, thanks for reading The Sonic Sofa. Go in peace and rock on, Sofanauts.
Snake Mountain Revival is a three piece heavy-psych band from Virginia Beach, Virginia. They produce a blend of psychedelic and stoner rock with strong elements of surf rock. The Valley of Madness is their new EP. It’s a mature and polished follow up to their debut EP, Snake Mountain Revival, which was released in 2018.
The Valley of Madness was released on October 4. It’s made up of four easy flowing songs filled to the brim with driving guitar riffs and surfy leads. The vocals are melodic and dreamy, with healthy doses of reverb. The bass is chunky, often using phasers and a wah pedal to give it a nice heavy-psych sound. The drums keep things moving forward, often using a tambourine and lots of trashy sounding cymbals (I mean trashy in an especially good way) to produce a rolling, crashing wave sound. The artwork on the album was produced by Ryan Chandler. Both EPs are available digital download for “name your price” on Bandcamp and The Valley of Madness is currently available on translucent purple cassette tape for $6.
1. The Valley of Madness 3:43 2. Just a Feeling 5:38 3. Water Moccasin 3:36 4. Everything in Sight 8:30
The Valley of Madness is a great opener with a swingy, waltzy riff that recalls some of the style of Uncle Acid and the Deadbeats. Don’t miss the creative guitar and bass lead, when the two play off of each other in polyphonic melodies.
Just a Feeling slows things down, with a much softer feel and more pastoral vocals that have a lot in common with the dreamier style of Sleepy Sun. The song has a beautiful blending of melodies between the vocals and guitar.
Water Moccasin returns to a classic surf sound with that characteristic tremolo on the guitar and several tasty guitar leads. The song is instrumental, with the vocals occasionally appearing with wordless melodies in the background. The phasing, chunky bass sounds great paired with the drums which create a tumbling, wave crashing sound that adds to the watery feel of the song.
Everything in Sight is the longest track on the album. The track is driving, with fast proficient drum work and plenty of surfy changeups. The vocals are closer to the style of their first EP, with touches of Jim Morrison’s influence. The song features an extended, heavy psych ending with a tasty double guitar lead and a chunky, fuzzy bass tone.
Both of the bands EPs are available for free on Bandcamp, so make sure to download those today, and consider supporting the band. Also check out Snake Mountain Revival on Facebook as well as Instagram. Thank you for reading The Sonic Sofa. Go in peace and rock on, Sofanauts.
When I started The Sonic Sofa, I threw together a hasty photo of my sofa and added some words to create my logo. About a year later, I finally decided to com-mission some professional art to make the blog even more awesome. Finally, I’m proud to present to you, the reupholstered new look of The Sonic Sofa.
I had an idea of the look I wanted to achieve: a sci-fi feel, plenty of desert/stoner rock influence, and obviously a comfy sofa. I came across an artist named Wina Obake who specializes in the kind of look I was going and after checking out her work, I knew that I had found the perfect artist for the project. She was able to turn my vague ideas into vivid reality, and I’m so proud of the results. Please check her work on Instagram and Kichink and consider supporting her by buying art. She can also be contacted by email at email@example.com.
In the months to come, please look for more big changes to The Sonic Sofa. I’m not going to give too much away, but the second season of the podcast is going to get an update, the blog is going to start having more content each week, and we are currently coming up with ad free ways of monetizing the blog. Stay tuned to the big changes in the second year of the blog and as always, go in peace and rock on, Sofanauts.
Based in Southern California, Billy Tsounis is a psychedelic rock guitarist who records and performs with his band, the Amazing Androids. The band produces instrumental, heavy psych music that will take you out of your mind and on a musical journey through the sonic cosmos. If you’re a fan of bands like Dhidalah, you’re going to dig the hypnotic psych sound of Billy Tsounis and the Amazing Androids.
Warp Delights is the band’s eighth album. Released on October 2, 2019, it’s a followup to 2017’s Pimped by the Gods. The album features Billy Tsounis on guitars, Aris Weathersby on bass, Lucas Marquardt on electric cello, and Will Rury on drums. The album was recorded with a mix of analog and digital equipment, and each track was taped live in order to achieve the freshest sound and energy possible. The band went with the first or second take of each song. The experimental tracks take you on a sonic voyage through layers of psychedelic guitar tones, underscored by crisp drums and a beefy bass tone. The album can be found on Bandcamp for digital download. Here’s the tracklist:
Cow Lands Eats Pilot (2:44)
Gone Swamp Shopping (7:51)
Too Nervous to Reincarnate (6:16)
Last Dance Space Boots (3:54)
Babalas Lilo (9:58)
Becoming Butterfly (6:08)
Messy Nostalgia Machines (7:05)
The album is perfect for sinking into the sofa and spacing out with the trance-inducing rhythms. There are long, spacey tracks like Babalas Lilo with it’s driving bass and phasing guitars, and the droney Gone Swamp Shopping; each conveys the album’s live, experimental feel. The waltzy track, Last Dance Space Boots will hook listeners with its catchy guitar lead, and Becoming Butterfly is a dreamy track that will lull you away on iridescent wings.
Crobot is a hard-rock band from Pottsville, Pennsylvania. The band formed in 2011 and have released three full length albums: Something Supernatural in 2014, Welcome to Fat City in 2016, and their latest release, Motherbrain in 2019. The band has extensively toured in support of their albums and the “Beardos” put on a live show that is both highly entertaining and energetic, with their style of dirty, groovy-rock. If Clutch, Alice in Chains, and Soundgarden had a genetically engineered, designer baby, the unholy result would probably look and sound a little bit like Crobot. The band wear their influences on their sleeves, but also transcend them with their own unique sound.
“consistent with Crobot’s best work”
After signing with Mascot Records last November, the band put out their most recent album, Motherbrain, on August 23, 2019. The album is a headbanger from start to finish, characterized by crunchy guitar riffs, tough, high-flying melodic vocals with a sense of humor, and a solid rhythm section. The album has that distinctive Crobot sound created by vocalist, Brandon Yeagely, and guitarist, Chris Bishop, the two original core members. They are joined on the album by Dan Ryan on drums, and James Lascu and Eddie Collins share the role of touring bassist. Here’s the tracklist:
Keep Me Down
Stoning The Devil
Chris Bishop’s guitar sound is unique, making use of several effects pedals which make his sound so recognizable. His style is latent throughout the whole album, providing all kinds of groovy riffs. The album is laden with slow, heavy grooves like on opening song Burn, the darker sounding Drown, and the super heavy track, Stoning the Devil. Some of the album’s crunchiest riffs can be heard on Destroyer and Keep Me Down, which also has a hilarious music video. Some of the best headbangers on the album are the aforementioned Destroyer, and Gasoline, which has a softer touch on the verses.
Brandon Yeagely’s vocals are stylish and very versatile, with a highflying range that can also reach super low, and it’s always good to hear intelligently written lyrics with plenty of puns and wordplay. There are classic-sounding Crobot fight songs like Keep Me Down and Destroyer, as well as some full-blooded tracks like Burn, Blackout, and Hive. Consistent with the themes of their earlier releases, darker lyrics are explored on tracks like Drown, and Stoning the Devil, which both feature some awesome vocal harmonies. Yeagely’s vocal range can really be heard well on tracks like Alpha Dawg and Hive. Unfortunately, most traces of their earlier sci-fi and stoner rock lyrics are absent on this album, leaving something to be desired for most stoner-rock fans.
The rhythm section is tight throughout. Even on more mainstream sounding tracks like Lowlife (which also features a music video) and Blackout, the band spices it up with complex sounding rhythmic changeups. The driving, chunky bass can really be heard well on Blackout and Destroyer. The drums are punchy sounding and the cymbals have a crispy, rock sound. There’s plenty of tight double kick work, as well as some awesome fills at the end of Gasoline, and even a rim-tap tip of the hat to ZZ Top on After Life.
“highly entertaining and energetic”
Motherbrain is a solid album, with plenty of opportunities to sing-along, headbang, and rock out. Consistent with Crobot’s best work, it’s a good followup to Welcome to Fat City, though it never quite reaches the level of the otherworldy lyrical matter or heaviness of Something Supernatural. The sound of the album is also a little more produced than earlier releases, noticeably in the slightly over-compressed drum sound. Overall though, the album still has that dirty, almost raw sound that Crobot is renowned for and it’s also safe to say that Crobot’s sound is definitely as heavy and dark as ever. Check out Motherbrain, today.
OCT 15 The National – Richmond, VA
OCT 16 Theatre of Living Arts – Philadelphia, PA
OCT 18 The Fillmore Silver Spring – Silver Spring, MD
Podcast Transcript: I’m The Purlenaut and you’ve landed on the Sonic Sofa, your home for stoner rock reviews and podcasts. Check out thesonicsofa.blog to read lots of articles and hear some awesome music. This month, we’ll be scientifically analyzing some extraterrestrial music specimens by Torche, Lewis and the Strange Magics, and Howling Giant. We’re in for a heavy ride, so buckle up, become one with The Sofa, and prepare for liftoff.
First up is Torche. Torche is a four-piece heavy metal band from from Miami, Florida. Their music has got heavy riffs and harmonic vocals. The band formed in 2004 and have released five full lengths and four EPs. Released by Relapse Records on July 12, Admission is their fifth album and it’s an absolute juggernaut. Here’s a track called Times Missing.
That was Torche with the song, Times Missing, off of their new album, Admission. Next up, on The Sonic Sofa, is Lewis and the Strange Magics. They’re a heavy-psych band from Barcelona, Spain. The band produces groovy, stylish, psychedelic music, with strong funk and jam undercurrents. The band just released their third full length, Melvin’s Holiday. It was released on September 6, 2019. It’s a concept album made up of nine, 1960’s and 70’s inspired, tracks that tell the story of Melvin, a rich man who divorces his wife and takes off on holiday in the Mediterranean, where he seeks happiness but finds only loneliness. Here’s a track from that album called Sad in Paradise.
And that was Sad in Paradise, from the new album Melvin’s Holiday, by Lewis and the Strange Magics. Up next, on The Sonic Sofa, is Howling Giant. After three solid EP’s, the Nashville, TN band has released their debut album, adding to their consistently heavy and creative catalogue of sci-fi influenced stoner-rock. Released on September 27th, The Space Between Worlds continues the band’s tradition of producing tight, heavy music with melodic vocals that tell an epic science fiction narrative. According to a statement by the band, the new album “is a concept album that follows the story of a huntress who travels the infinite metaphysical worlds brought into being by the dreams of humankind. In these realms, she encounters a dream eater which threatens to unravel the fabric of reality by devouring dreamers and destroying the dimensional gateways.” So there we go. Here’s a track from that album called Comet Rider.
And that was Howling Giant with the song, Comet Rider, from their new album, The Space Between Worlds. Thanks for listening to the Sonic Sofa podcast. Check out the Sonic Sofa on mixcloud.com/purlenaut and thesonicsofa.blog. Please support the bands by buying their music and merch. If you have music or an artist that you think should be featured on the blog or podcast, contact The Purlenaut at firstname.lastname@example.org. Go in peace and rock on, Sofanauts.