Dhidalah takes us back to space with new album, Sensoria 認識

Posted on May 3, 2022 by thesonicsofa

*Sensoria was released on April 22, 2022*

Dhidalah is a space rock power trio from Tokyo, Japan. Well schooled in the concept of sonic space travel, their jam oriented music has been taking us to the outer realms of psychedelic rock since 2013. The band released several independent recordings and EPs before signing with Guruguru Brain. Since then, they’ve released full lengths No Water in 2017 and Threshold in 2019. Their latest release, Sensoria, was released online in April, with vinyl pre-orders shipping this fall.

Sensoria is a four track album, clocking in at a modest 38 minutes. To create new material, the band members explore ideas during weekly jam sessions, which they then contemplate upon and hone throughout the week for the next session. Two tracks from the album, Soma and Black Shrine, were created through these sessions, while the other two tracks, Invader Summer and DEAD, are credited to guitarist Ikuma Kawabe, of Church of Misery fame. The tracks were recorded and mastered by Ryuhi Inari of Void)))Lab and mixed by Hideki Urawa. The album features cover artwork by D.Norsen.

1. Soma 9:07
2. Invader Summer 6:00
3. DEAD 3:03
4. Black Shrine 20:01

*Dhidalah is Ikuma Kawabe (guitars), Kazuhira Gotoh (bass, vocals, noise FX), and Masahito Goda (drums)*

The short full length packs a hard psychedelic punch that sounds both raw and organic, but with the seasoned tightness of a touring jam band. You’ll want to wear headphones to absorb the full mind-warping impact of the sonic trip. Listen for phaser and wah-pedal infused layers of guitars throughout, notable on Soma and Invader Summer. The fast pace of many of their tracks reminds me of King Gizzard’s jammiest stuff. A tight and tonal drum sound lays down a solid base groove throughout the album, and listen for some creative hand percussion interplay with the acoustic guitar on the slower and quieter, DEAD. Black Shrine, the incredible 20 minute closer, inspired by the Yokai of Japanese folklore (I fully support following this link and tripping out on these entities while you listen), features a meaty bass tone, possibly reminiscent of OM’s phased out drum sound. Melodic vocals, sparse and drenched in otherworldly reverb and delay, as well as sci-fi noise FX, add to the spacy atmosphere of the album.

You can find the digital album for under $8 on Bandcamp, where you can also preorder the vinyl for under $30. Keep in mind, records will not ship until August outside of the US, and until September for the US. Also, check out the band’s social media where you can find t-shirts, tote bags, and other merch.

Tour Dates

May 19 Sebright Arms – London, UK

May 20 The Crofters Rights – Bristol, UK

May 22 Hare and Hounds – Birmingham, UK

May 23 The Hope and Ruin – Brighton, UK

May 24 Supersonic – Paris, France

May 25 Trefpunt Concertzaal – Ghent, Belgium

May 26 Arena Berlin – Berlin, Germany

May 26 Ilses Erika – Leipzig, Germany

Somali Yacht Club release new album, The Space

Posted on April 30, 2022 by thesonicsofa

*The Space was released on April 22, 2022*

Somali Yacht Club is a psychedelic stoner rock trio from Lviv, Ukraine. The group formed in 2010 and have four full lengths under their belt with the release of 2022’s The Space. The group is known for their psychedelic music, infused with elements of shoe gaze and early grunge.

The Space, is their debut album on Season of Mist Records. It contains six tracks, with 45 minutes of some of the most dynamic and atmospheric stoner rock available. It has a huge drum sound, melodic vocals, and walls of guitar tones that undulate and build with plenty of heavy changeups. The beautiful cover art was provided by renowned Ukrainian artist, Dasha Pliska, whose art has been featured in Dash and Flaunt.

Silver and Gold, two of the shortest tracks on the album, really bring the shoe gaze element, with their atmospheric psychedelia and melodramatic vocals, even offering a little Deftones flavor at times. Look for a full, heavy sound on Pulsar and Alice in Chains style harmonies on Echo of Direction. Obscurum’s progressive intro and and creative chord progressions recall the best of Weedpecker and perhaps even early King’s X. Album closer Momentum ends the album beautifully, and in a very heavy way.

1. Silver 5:16

2. Pulsar 9:07

3. Obscurum 5:06

4. Echo of Direction 9:45

5. Gold 3:32

6. Momentum 12:30

You can find the The Space on Bandcamp. Their album is currently available on digital release, CD, and vinyl. Also, check out their merch page where you can find past releases and t-shirts. Amidst the ongoing military conflict in Ukraine, the band has pledged to donate all profits made in 2022 to various charities to help their home country.

Tour Dates

May 27 Indian Ocean Hotel – Scarborough, Western Australia

Jun 10 Evelyn Hotel – Fitzroy, Victoria, Australia

A Flourishing Fall in a Grain of Sand, the heavy new album by Humanotone

Posted on April 1, 2022 by thesonicsofa

*A Flourishing Fall in a Grain of Sand was released on March 11*

Humanotone is a one man musical project, produced and performed by multi-instrumentalist, Jorge Cist, who is based in Coquimbo, Chile. His music is a progressive dose of muscular stoner rock and shares the same psychedelic vein as heavy hitters such as Elder and Swan Valley Heights. Jorge just released Humanatone’s second album, A Flourishing Fall in a Grain of Sand, an impressive follow-up to 2017s self-titled debut.

Flourishing Fall consists of six richly layered, flowing compositions, five of which range from eight to over 12 minutes in length. Initially written between 2017 and 2019, the songs were structured and recorded between May and October of 2021. According to Jorge, “All the songs were inspired by the sea and are a way of thanking the healing power it had on me during rough times.”

While listening to this album on repeat on a recent bus trip through the Rocky Mountains, I realized why this album stands out: It seriously flows! Similar to the ocean or the mountain ranges passing before my eyes, the album has a natural quality, indefinable by words alone. While many similar progressive rock albums can tend to get bogged down in their own complexity, Flourishing Fall flows seamlessly from riff to riff like crashing waves or thunder on mountain peaks.

In addition to performing vocals and instrumentation, Jorge also recorded and mixed the album in his own Massive Void Recordings studio and created the artwork using pointillism technique on 140g Canson paper. Make sure to also check out the artwork produced for the album’s first single, Light Antilogies. A Flourishing Fall in a Grain of Sand is available on Bandcamp, where the entire discography can be downloaded for under five dollars. While there, you can also link to videos and social media.