doom |

Moonstone is stoner doom band hailing from Kraków, Poland. Formed in 2017, the group is made up of guitarist and vocalist Jan Maniewski, bassist Wiktor Kozak, and drummer Kacper Kubień. The trio pumps out rounds upon rounds of fuzzy, downtuned riffs and sparse, chantlike vocals on top of a hypnotic rhythm sections that chugs along like a freight train, plowing away everything in its groovy path.

Their debut self-titled album was released on December 28. The five song, 35 minute album is heavy from start to finish summoning the hypnotic riffing force of bands like Sleep and Belzebong, and infusing it with some bluesy Sabbathian groove. Moonstone keeps their arrangements fairly simple and straighforward, but the crushing weight of their riffs and rhythm, as well as several key change-ups, keeps things fresh even on the longer tracks.

1. The Oncoming 1:33
2. Mushroom King 5:21
3. Pale Void 10:20
4. Ash and Stone 9:05
5. SulphurEye 8:34

The album opens up with The Oncoming, a brief but atmospheric intro that uses some amazing bass tones and some seriously heavy power chords to tease the onslaught of riffage to come. Flowing seemlessly into Mushroom King with a fitting audio sample about viral mushroom spores, the track opens with a swingy riff over a shuffling drum pattern. The band takes the riff to absolute overdrive and adds some brief, eerie vocals at the end, before changing things up with an “Into the Void” like transition that will finish off your ear drums with sufficient power.

Pale Void opens with a slow and heavy riff and some complex drum work. The bass and drums create what is almost like a super-slowed down, reggae-like dub beat. When the vocals kick in, they are chant-like and occasionally employ some simple and tasty harmonies. The song features several heavy buildups, as well as a nice bass lead that transitions the song to a heavy ending.

Ash and Stone opens with another sludgy doom riff. Featuring some awesomely low power chords, the track is a total headbanger. The vocals are eerie and haunting, ringing out clear melodies over the heavy, fuzzy riffs. A cool switchup at the end kicks the song into high gear. On the album closer, Sulphereye, it starts with a muscular guitar tone and one of the darkest sounding riffs on the album. Aided by an equally dark film audio clip and some scary vocals, the track makes for a heavy, sludgy end to a heavy, sludgy album.

The album is available on CD and digital download on Bandcamp. Also check out the group on Facebook. Thank you for reading The Sonic Sofa. Stay tuned for the January podcast and for now, check out one of the past episodes for more great music. Go in peace and rock on, Sofanauts.

*Scarecrow’s debut album was released on September 13th*

A band’s physical location often will influence their sound. One example is how Black Sabbath channeled the energy of the dark and smoky streets of industrial Birmingham, England into some of the slowest and heaviest music of all time. In a similar way, Russian band, Scarecrow, channels the feeling of their home city of Perm. What is this place like? To paraphrase the words of the band, “Perm stands among dank swamps and impenetrable forests, at the foot of the oldest mountains in the world. This is a hopeless place: the region is full of prisons and prison camps. There is a huge number of mentally ill people. The climate is harsh. Winter lasts from October to May and it is a dark, cold time. In the warm months, it rains constantly.” All of these elements and feelings translate to a sense of doom and foreboding latent within the fabric of the band’s compositions.

The trio produces classic-sounding heavy metal, like a cross between Zeppelin and Sabbath, with high flying vocals, crunchy guitar riffs, and a powerful rhythm section. Their debut self-titled album was released on September 13, 2019. The album follows the band’s previous release, an EP called Nosferatu. The bass, drums, guitars, and vocals were all recorded in analog format and digitally mixed by Samuel Turbitt at Ritual Sounds in the UK. The band also added several elements that profoundly affect the feel of the album. Harmonica on several tracks reinforces the bluesy feel of early Sabbath and Zeppelin. Other instruments used include the flute as well as the tamburin, shaker and darbukas which the band obtained from travels to South Africa, adding even more complex textures to their music. There’s also a dark, occult quality to the album, reinforced by the addition of orchestrated sections, which the band was able to add from recordings in the high-quality digital libraries of AIR Studios in London. The intriguing artwork for the album, like the point of view of a scarecrow, was created by Igor Odintsov.

1. Scarecrow Overture 4:38
2. The Journey 5:00
3. The Final Problem 5:21
4. When The Powers Of Evil Are Exalted 3:36
5. Worm of Anger 2:47
6. Autumn Wood 3:06
7. Madman 5:15
8. Scarecrow 6:22

The album has a dark feel, which is strongly influenced by the lyrics. The high-flying vocals come across like a mixture between Geddy Lee and Ozzy Osbourne, summoning feelings of foggy, haunted moors, terrifying scenes of depravity, and maniacs losing grasp of their reality. Occasionally however, the heavy gloom is interrupted by moments of soft repose, like brief rays of sunlight shining through clouds on a stormy day.

The guitars are diverse, laying down bluesy, crunchy riffs, blazing guitar leads, and occasional clean, jazzy tones. Underneath, the rhythm section grooves like a juggernaut. The drums constantly push the songs with driving beats, flawlessly executed drum fills, tasteful double kick patterns, and tribal sounding sections. The bass also sounds consistently great, with warm, rich tones and a swinging feel that adds to the heavy blues vibe. In post-production, the band was able to effectively add high-quality orchestrations and sound clips, creating an even darker listening atmosphere.

If you’re a fan of proto-metal and doom, make sure to check out Scarecrow. Their album is available for digital download on Bandcamp, and the band is working on a physical CD release, which will include digipack and lyrics, projected for release on Bandcamp this month. You can also follow the band on Facebook, as well as Instagram and VK. The band also has Thanks for reading The Sonic Sofa. Go in peace and rock on, Sofanauts.

Tag Archives: doom

Sludgy riffs and groovy rhythms on debut album by Kraków doom band, Moonstone

1970s style heavy metal on killer debut album by Scarecrow