The Sonic Sofa 2022 Flashback

After four years, The Sonic Sofa remains in low-earth orbit, its continuing mission to explore strange new sounds. To seek out new bands and heavy stoner rock riffs. To boldly go where no sofa has gone before! 2022 saw the addition of the Facebook page, so follow us to get all of the music reviews, memes, and Friday riffage posts. The page could seriously use more activity, so leave a comment to give us a boost!

Also this year, The Sonic Sofa was magically reupholstered with some spacy new artwork (pictured below) by legendary stoner rock artist, Steven Yoyada. Stay tuned in 2023 for more heaviness on The Sonic Sofa, as well as new artist collaborations. We’ve got some awesome surprises and giveaways, like the brand new Sonic Sofa weed grinders, so keep your eyes out for a chance to win these and more sweet stuff!

2022 was a major year for stoner and psychedelic rock, with new releases by some of the biggest names in the game like Clutch, Elder, Colour Haze, Conan, Sasquatch, and Wo Fat. There were debuts by heavy newcomers such as Realm Drifter, Blue Heron, and Sons of Arrakis. We also had some awesome crossover projects like Bog Wizard and Frog Lord’s split record, A Frog in the Bog, and an amazing solo debut by Matt Pike. In this article, I’ve recapped all of 2022, with links to the full articles and players for the songs. Read on, and find some new jams!

In March, the Sonic Sofa featured Pike Vs. the Automaton. Matt Pike’s solo album took the stoner world by storm with a diverse blend of heavy metal, thrash, punk, and even some twangy blues. Falling somewhere between the riffy thrash of High on Fire and the stoner-doom of Sleep, Pike gave in fully to his musical instincts in glorious garage band style, riffing his way through an assemblage of songs guaranteed to induce head-banging and disgust with authority.

Also in March, we featured Humanotone’s new release, A Flourishing Fall in a Grain of Sand. The brain child of talented multi-instrumentalist, Jorge Cist, his sophomore release is a progressive dose of muscular stoner rock and heavy psych, on six richly layered compositions. Much like Elder or King Buffalo’s work, Flourishing Fall flows seamlessly from riff to riff like crashing waves or thunder on mountain peaks.

In April, Michigan’s Bog Wizard and UK’s Frog Lord collaborated to release A Frog in the Bog, one of the goofiest and coolest releases of 2022, with it’s dope D&D style and 8-Bit artwork. The two stoner doom bands came together from across the Atlantic expanse to document the meeting of the reclusive Bog Wizard and the god-like Frog Lord, resulting in magical, smoky encounters in the depths of the bog.

April also saw the release of Somali Yacht Club’s new album, The Space, featuring 45 minutes of some of the most dynamic and atmospheric stoner rock available. It has a huge drum sound, melodic vocals, and walls of guitar tones that undulate and build with plenty of heavy changeups. Check for ways to support the Ukrainian band as they have been uniquely affected by the war.

May was a big month on The Sonic Sofa, when we featured five brand new album reviews. First we showcased the new space rock album by Dhidalah. Well schooled in the art of sonic space travel, the Japanese group released their four track, 38 minute album Sensoria. Recorded live in the studio, the record packs a hard, psychedelic punch, sounding raw and organic but with the seasoned tightness of a touring jam band.

Wo Fat sets themselves apart from typical bands of the genre with their unique blend of groovy, Texas stoner rock. Their tracks usually open with a heavy, blues-based stoner rock song, before proceeding to melt faces with dynamic, progressive jams for the last half, with tons of heavy changeups, melodic sci-fi lyrics, fluid drum work, jazzy infusions, stoner rock turnarounds, and soaring guitar solos. Wo Fat released their seventh album, The Singularity, a serious headbanger, in May.

May also featured the debut release by Blue Heron. The stoner rock band hails from Albuquerque, NM and deals out a psychedelic mix of grungy heavy metal, with strong desert rock vibes and rhythms. Their album, Ephemeral, is heavy from start to finish, with the exception of a few quiet interlude tracks that give short breathers between the headbanging and breakdown action.

Also in May, we witnessed the sixth release by Spanish psych rockers, The Dry Mouths. Their new album, Thödol, features 10 spacy and trippy tracks, inspired by the Tibetan Book of the Dead and ideally suited for sonically astral projecting. The instrumental band specializes in creating audio landscapes of hypnotic soundwaves with diverse instruments and laced with occasional heavy psych rock sections.

Again in May, we featured another instrumental album by another Spanish psychedelic band, Sageness. What’s in the water over there? The power trio treats their music with an infusion of post-rock and shoegaze guitar work, with live recording in the studio. Their third album, Tr3s, features muscular riffs and sensual guitar textures, infused with plenty of wah-pedal and FX, underscored by a crisp, clean bass sound, and solid drum patterns.

In June, Electric Mountain released their sophomore album, Valley Giant. The stoner rock power trio from Mexico burst onto the scene in 2013 with their classic rock influenced stoner rock sound, fuel injected with plenty of high octane desert riffs. What makes the album so awesome are all of the extended, stoner rock turnarounds and classic rock breaks.

Sasquatch gave birth to their sixth headbanging album, Fever Fantasy, in June. It’s a heavy ride for all nine tracks. The group’s focus on emphasizing killer hooks is evident throughout the album. The album features walls of fuzzy riffs, a growly bass tone, a huge drum sound, and plenty of attitude filled vocals.

Also in June, we witnessed the release of the mysterious Space Druids’ debut full length, Paradox Paradigm. The seven-piece group based in the UK, produces a progressive style of vintage-sounding psychedelic rock, dripping with layers of spacy FX, along with catchy and thought provoking sci-fi lyrics and poetry. The self described “next Hawkwind,” Space Druids will also appeal to fans of The Doors, and Floyd.

Stoner rock, glam, dirty grooves, heavy riffs, grungy action, attitude: Crobot. The four-piece group from Pottsville, PA has been violently administering heavy grooves since inception, and returned in July with their 5th offering, Feel This. The album delivers in classic Crobot style, with riffs and high-flying vocals on 12 heavy, headbanger tracks.

July also bludgeoned our ear holes with the long awaited sophomore album by Iowa stoner duo, Telekinetic Yeti. Primordial was the second album we’d all hoped for: progressive doom metal action from start to finish with chuggy riffs, crazy drums, awesome vocals, and some dope weed references to boot.

In August, we featured the debut self-title album by Realm Drifter, a four-piece stoner-doom band from Fort Worth, TX. The five song album clocks in at a beefy 44 minutes. Check it out for a slow and heavy metal sound, with groovy riffs, a thick, gnarly bass tone, edgy, melodic vocals, and a bluesy, heavy drum sound.

August also revealed the debut release of Sons of Arrakis, a stoner rock band heavily influenced by one of my favorite scifi authors, Frank Herbert. The Canadian band delivered their self-titled album, filled with massive doses of seriously groovy riff rock and Dune lyrics. If heavy stoner rock and sci-fi of any kind is your thing, you’ll enjoy rocking out to Sons of Arrakis.

In September, UK stoner doom band, Conan, released their 5th skull-splitting album, Evidence of Immortality. It’s a continual heavy barrage of “caveman battle doom.” Down-tuned to the extreme and amplified as loudly as possible, the riffage, thunderous rhythm section, and tortured sounding vocals conjure images of blood-soaked battlefields and cosmic monsters.

On a much lighter and more melodic note, Colour Haze released their 14th full length, Sacred, in September. One of the most influential German stoner rock groups active today, they produce a detailed audio-scape of psychedelic music. The songs are filled with progressive drumming and riffs, soothing and spacy keyboard tones, incredibly catchy guitar hooks, and positive, melodic vocals.

Rarely do bands stand the test of time, especially with the original lineup of studio members, but Maryland’s Clutch has done so for almost 30 years. They’ve also established themselves as one of the hardest working bands, with massive tour schedules. In October, we featured the release of Clutch’s 13th album, the highly anticipated Sunrise on Slaughter Beach. The album is Clutch’s grooviest, most ambitious and diverse album in recent years.

We also featured Oh Death, the fourth album by the mysterious and ritualistic psych rockers, Goat. The collective from Sweden is known for their trance-inducing repetition and thick, 70’s style groove, with intriguing layers of diverse instrumentation, and captivating twin melodies.

In November, The Sonic Sofa featured Hallucinate Your Faith, the second heavy psych album by Nova Koloso. The Maryland rockers produce a fast paced blend of progressive psych rock, with plenty of jamming and layering of all kinds of groovy guitar sounds and catchy keyboard tones, topped off with grungy vocals.

In December, Elder released Innate Passage, their highly anticipated new full-length. Over the course of their career, the band has crafted a heavy, progressive, psychedelic, genre-bending sound. Calling the album anything other than ambitiously grandiose and epic would be a huge understatement.

And now, for the Sonic Sofa’s top picks of 2022! Our choice for debut album of the year goes to Sons of Arrakis with their self-titled album. Heavy metal album of the year goes to Matt Pike’s solo album, Pike Vs. the Automaton. The choice for best heavy psychedelic album of 2022 is Innate Passage by Elder. Best instrumental album of the year goes to Tr3s by Sageness. Our choice for stoner rock album of 2022 goes to Telekinetic Yeti’s Primordial.

Thanks for reading The Sonic Sofa. Onward and upward in 2023! Be peaceful to each other and rock on, Sofanauts.

Psych-rockers, Goat, release fourth album, Oh Death

Oh Death was released on October 21, 2022

Goat is less of a band and more of a collective, shrouded in mystery and ritual. According to Stranded Records, “The group has laid claim to hailing from an isolated Swedish village with a convoluted history of numerous, constantly evolving incarnations of a band called Goat, all loosely aligned with voodoo rituals that were imported aeons ago from Africa.” Releasing albums since 2012, Goat is known for their intense and mystical live shows, featuring two female vocalists singing in duet, backed by robed instrumentalists, bringing audiences into trance with layer upon layer of trippy, psychedelic patterns, forming a retro, tribal sound. Their trance-inducing repetition and thick, 70’s style groove is unmatched but very influential. Check out Goat if you dig the psychedelic musings of bands like King Gizzard, Dead Meadow, and Orions Belte.

Goat’s members are anonymous and perform in costume

1. Soon You Die 4:34
2. Chukua Pesa 2:24
3. Under No Nation 4:17
4. Do The Dance 3:14
5. Apegoat 1:29
6. Goatmilk 4:10
7. Blow The Horns 4:01
8. Remind Yourself 3:20
9. Blessings 1:06
10. Passes Like Clouds 5:11

Released in October, Oh Death is Goat’s fourth album. It follows their last studio release, 2016’s Requiem, as well as 2021’s Headsoup, an album of rare and unreleased tracks. Like their first three albums, Oh Death has Goat’s distinctly recognizable sound. The guitars stand out with plenty of 70’s style funk riffs, making use of lots of wah pedal, tremolo, and delay action. Listen to opener, Soon You Die, as well as Under No Nation for some truly funky guitar work. There are also some nice guitar solos, like on Do the Dance and Remind Yourself, as well as an awesome dual guitar lead on Blow the Horns. On the bottom end, the drums deliver plenty of tight, awesome patterns. Occasionally, cool, tricky fills are thrown, notable on Goatmilk, but most of the time the drums play it cool, instead relying on the trance like effect of repetitious rhythms. The beats are complex and intensely pattern oriented, drawing from various world music influences, even having a Polynesian feel like on instrumental closer, Passes Like Clouds. The bass tones sound great, with some fat, funky tones, at times reminding me of Al Cisneros of Sleep and OM fame. Listen to Under No Nation and Remind Yourself for a some good examples. Above it all, the twin vocal melodies weave in and out, continually delivering plenty of catchy melodies. Don’t miss insanely catchy vocal melodies on tracks like Do the Dance, Goatmilk, and Blow the Horns.

Music video for Do the Dance directed by & edited by Tom Brewins

Like their previous work, Oh Death also is heavily layered with diverse instrumentation sourced from around the world. Listen for awesome hand percussion additions throught the album, especially the tabla type which shine through on Chukua Pesa (Incidentally, Chukua Pesa is Swahili for “Take your money”). If you’re listening with headphones, check out the awesome psychedelic tribal rhythms on Remind Yourself, which bounce back and forth between the left and right ears in stereo. A beautiful piano tone, as well as some cool wind instrument leads comes in key on the album, especially on the jazzy Goatmilk, a personal favorite track. Also, listen for a very tasteful piano solo on the short experimental track, Blessings, which I feel balances out the bizarrely experimental Apegoat track, which was the only song on the album that had me searching for the ‘next track’ button. Luckily it’s very short.

Overall, Oh Death is a super listenable and catchy album, standing among Goat’s best work since World Music. You can find the album on Bandcamp. The CD is available for under $13 and the digital album is $8. Vinyl is currently sold out. The band distributes their music through Subpop, Rocket, and Stranded Records. The band is active on social media and Youtube. Check them out on their upcoming European concert dates.


NOV 8 Knust – Hamburg, Germany

NOV 09 Kulturkirche – Köln Köln, Germany

NOV 14 Festsaal Kreuzberg – Berlin, Germany

JAN 25 Rockefeller – Oslo, Norway

JAN 26 Plan B – Malmö, Sweden

JAN 27 Slaktkyrkan – Stockholm, Sweden